Vietnam · Textiles

Cham Traditional Textile Weaving

Dệt Thổ Cẩm Chăm

The Cham people of south-central Vietnam — the descendants of the ancient Hindu-Buddhist Cham kingdom (2nd–17th century CE) — maintain a textile weaving tradition of extraordinary antiquity that was inscribed on UNESCO's Representative List in 2022 under the title 'Practices related to the then and khan of the Cham people.' The then (sarong) and khan (shawl) are woven on a traditional floor loom using natural silk and cotton with supplementary weft patterns drawing from the Cham Hinduized aesthetic vocabulary — flame motifs, tower forms (referencing Cham temple towers), and interlocking geometric patterns. My Nghiep village in Ninh Thuan province is the primary weaving center. The Cham weaving tradition is unique in Vietnam for its Hindu-influenced pattern vocabulary — every other Vietnamese textile tradition draws from Buddhist or Confucian aesthetic references.

Risk level: Critically Endangered · Inscribed on UNESCO Representative List 2022 — 'Practices related to the then and khan of the Cham people'

Alternate Names
Cham weaving; Bau Truc pottery companion craft; My Nghiep village weaving; tho cam Cham
Geographic Center
My Nghiep village, Phuoc Dan commune, Ninh Phuoc district, Ninh Thuan province; also Bau Truc pottery village nearby
Community / Ethnic Group
Cham ethnic minority of south-central Vietnam (Muslim and Brahmanist Cham subgroups); weaving by women
Estimated Origin
Estimated 2,000+ years; Cham weaving tradition from ancient Champa Kingdom period; current form preserved from pre-Vietnamese cultural dominance
Cultural Function
Then and khan worn at Cham Kate festival (most important Cham annual festival). Ceremonial dress for Cham religious and life-cycle events. Cultural identity — Cham dress as the visible marker of a surviving pre-Vietnamese civilization in southern Vietnam.
Primary Materials
Natural silk (for then sarong — ceremonial); cotton (for everyday khan shawl); natural dyes (madder red, indigo blue, turmeric yellow — key Cham palette)
Primary Tools
Floor loom (Cham specific design — distinct from Black Tai khung det); shuttle; supplementary weft sticks; dye vessels
Process Overview
Silk/cotton dyeing → fold-depth color assessment → warping → Cham pattern threading → floor loom weaving → finishing
Traditional Applications
Cham Kate festival ceremonial dress; religious and life-cycle events; cultural identity garments
Contemporary Applications
UNESCO cultural heritage showcase; cultural tourism; collector textiles; contemporary fashion inspiration; museum acquisition
Notable Practitioners
My Nghiep village Cham weavers (collective — primary center; UNESCO post-inscription documented); Ninh Thuan Provincial Museum registry
Key References
UNESCO Inscription file — 'Practices related to the then and khan of the Cham people' (2022). Ninh Thuan Provincial Museum documentation. Vietnam Ministry of Culture — Cham cultural heritage records.
Verification Status
Desk-Researched — field verification at My Nghiep village through UNESCO Vietnam post-inscription program recommended

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