India · Textiles / Painting

Mata ni Pachedi

માતા ની પછેડી (Mata ni Pachedi)

Mata ni Pachedi (Gujarati: 'cloth behind the mother goddess') is a hand-drawn and block-printed narrative textile tradition of the Vaghari community of Ahmedabad, Gujarat. Large cotton cloths (2–4 meters) are painted or block-printed with the image of Mataji (the mother goddess) at the center, surrounded by her attendants, devotees, vehicles, weapons, and narrative episodes from her myth — creating a complete portable temple on cloth. The Vaghari are a nomadic community historically excluded from stone temples; Mata ni Pachedi is their portable sanctuary — the cloth is erected as the temple itself during festivals and rituals. The technique uses natural dyes (red from hibiscus or madder, black from iron liquor) and both hand-drawing (kalam) and woodblock printing for different elements. The tradition is practiced by families within the Vaghari community, with the Chitara family being the most documented. The cloth is ritually charged — the act of painting it is itself a devotional act.

Risk level: Critically Endangered · Not inscribed

Alternate Names
Mata ni Pachedi; mother goddess cloth; Vaghari narrative textile
Geographic Center
Ahmedabad city (Vaghari community settlements); also Kutch district
Community / Ethnic Group
Vaghari community (formerly nomadic, Scheduled Tribe); Chitara family is the documented lineage
Estimated Origin
Pre-Mughal; exact origin undated; the Vaghari have practiced since at least 16th century CE
Cultural Function
Primary: portable temple for Vaghari goddess ritual; erected at festivals, weddings, and community ceremonies as the goddess's dwelling. The painting process is itself a devotional act — the painter must be ritually pure. Now also: fine art collectible and museum piece.
Primary Materials
Cotton cloth (khaddar); natural dyes (red from madder or hibiscus; black from fermented iron liquor); tamarind seed paste (ground preparation)
Primary Tools
Bamboo kalam (pen) for hand-drawn elements; carved woodblocks for border; dye vat; flat printing surface
Process Overview
Cloth sizing → drying → goddess figure drawing (kalam) → narrative figure drawing → border block printing → natural dye application → washing → finishing
Traditional Applications
Portable temple cloth for Vaghari goddess ritual; festival erected shrine; dowry cloth
Contemporary Applications
Fine art collectible; museum acquisition; gallery exhibition; design collaboration
Notable Practitioners
Chimanbhai Chitara (Ahmedabad) — most celebrated living practitioner; National Award; Sanjay Chitara (son) — continuing family practice; Vaghari community Chitara families — estimated 5–8 active practitioners.
Key References
Calico Museum of Textiles, Ahmedabad — documentation; Jain, Jyotindra (1998) Other Masters; National Handicrafts Museum Delhi catalogue; Huyler, Stephen P. (1999) Meeting God — Elements of Hindu Devotion.
Verification Status
Desk-Researched

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