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The Depository documents 25 techniques in Cambodia; by risk level: 15 critically endangered, 8 endangered, 2 vulnerable. Each record opens with a public summary; the full research record is free to view once registered.
The Cham people of Cambodia — Muslim descendants of the ancient Champa Kingdom — maintain a distinct textile tradition separate from both lowland Khmer hol (CRAFT-0506) and highland minority textiles.
Hol is Cambodia's royal court weft-ikat silk weaving tradition, producing multi-color geometric and figurative patterns including the angorvat (Angkor Wat column) pattern and pka sla (wedding flower) pattern.
Krama is Cambodia's defining national textile — a checked or striped cotton cloth worn universally as scarf, head covering, baby carrier and Buddhist offering.
Pidan is Cambodia's large-format Buddhist temple hanging silk (1.5m x 3m), woven with figurative Buddhist narrative scenes using supplementary weft tapestry technique — small color bobbins passed through specific warp areas to build each…
Tampuan weaving is the back-strap loom textile tradition of the Tampuan people of Ratanakiri Province — one of Cambodia's largest highland minority groups.
Khmer Buddhist bronze casting uses lost-wax technique with the Bayon-period iconometric canon (12th-13th century Jayavarman VII).
Snay Prak is Khmer repoussé silversmithing producing ceremonial vessels, betel containers and royal regalia with naga, garuda, kinnari and Apsara motifs.
The engraving of flattened copper sheet — often subsequently silver-plated — into decorative and ceremonial objects at Koh Chen and neighboring Prek Kdam villages in Kandal province, a craft distinct from the archive's existing Khmer…
The Phnom Penh silversmithing revival represents Cambodia's most commercially successful post-Khmer Rouge craft recovery — centered on the silver district around the Central Market and producing contemporary silver jewelry that combines…
The props used in Khmer Royal Court Dance (Robam Preah Reach Trop) include ceremonial fans (sloeuk rompheap), floral garlands (phka), and ritual objects held by specific character types — all made by specialist prop makers who serve the…
Robam Preah Reach Trop (the Khmer Royal Court Dance — UNESCO inscribed as Khmer Classical Dance in 2008 and 2016) requires the most elaborate costume-making tradition in mainland Southeast Asia: a single full Apsara dancer's costume…
Sbek Thom (UNESCO 2008) are whole-figure buffalo hide puppets up to 1.5m height for backlit Reamker (Khmer Ramayana) performance.
Sbek Touch (សបែកតូច — 'small hide') is Cambodia's second shadow puppet tradition — distinct from the large UNESCO-inscribed Sbek Thom (CRAFT-0511) in both scale and technique.
The Bunong (also known as Phnong) people of Mondulkiri Province maintain one of Cambodia's most technically complex basket weaving traditions — using rattan and bamboo to produce carrying baskets (khnang), rice wine jar covers, and ritual…
Kampot Province maintains Cambodia's most active rattan furniture making tradition — producing chairs, tables, baskets, and decorative objects from locally harvested Kampot rattan.
Khmer bamboo basketry produces agricultural, household and fishing containers including the yeun trei fish trap.
The contemporary Angkor replica stone carving workshops of Siem Reap represent a distinct tradition from the APSARA-controlled restoration carving (CRAFT-0509) — a commercial workshop tradition producing Angkor-style relief carvings in…
Chhlak Thmar is the Khmer architectural stone carving tradition that produced 200+ square kilometers of bas-relief at Angkor.
The Jarai people of Ratanakiri Province maintain a bronze gong casting and tuning tradition closely related to the Vietnamese Central Highlands gong traditions (shared cultural heritage across the Cambodia-Vietnam border).
Two defining Cambodian instruments: the chapei dong veng (two-stringed long-neck lute for philosophical poetry performance) and roneat ek (21-key bamboo xylophone).
The khnang skor (ខ្នងស្ករ — 'sugar back-basket') is the specialized clay vessel used for boiling and setting palm sugar — Cambodia's most important sugar tradition.
Dey Khmer is Cambodia's earthenware tradition using the unique walking-around-clay technique: the potter does NOT rotate the clay on a wheel — instead the potter walks in a circle around the stationary clay on a rotating platform (bat…
Khmer Lak is gold-on-black lacquerware using rattan or bamboo weave bases coated with yang-rak lacquer.
The carving of wood into architectural ornament, devotional statuary, and household ritual objects — one of the Khmer 'principal crafts' alongside weaving, silver- and goldsmithing, and stone sculpture, according to standard art-historical…
The Mekong River communities of Stung Treng and Kratie maintain a traditional wooden boat building tradition producing the narrow, high-prow vessels used for Mekong River fishing and transportation.