Not specifically documented in available sources
Wheel-free earthenware made in Kampong Chhnang province, especially Andong Russei village. Potters — many of them women — walk around the clay rather than turning it, shaping the pot by striking the outside with a wooden paddle while supporting the inside with an anvil. The upper part is shaped first on a stand, then the rounded base is formed and closed. Pots and stoves are dried beneath stilt houses and fired in the open on straw. Some workshops have adopted wheels and kilns since 2009.
Risk level: Endangered · Cambodia national ICH list
Cambodian lacquerware made with resin tapped from a local tree (Melanorrhea / Gluta species).
Sbek Thom (large shadow theater) uses non-articulated puppets about two meters high, each cut as leather openwork from a single hide, dyed with a solution made from the bark of the Kandaol tree, then drawn, cut out and painted.
Khmer Buddhist bronze casting uses lost-wax technique with the Bayon-period iconometric canon (12th-13th century Jayavarman VII).
Krama is Cambodia's defining national textile — a checked or striped cotton cloth worn universally as scarf, head covering, baby carrier and Buddhist offering.
Khmer bamboo basketry produces agricultural, household and fishing containers including the yeun trei fish trap.
Two defining Cambodian instruments: the chapei dong veng (two-stringed long-neck lute for philosophical poetry performance) and roneat ek (21-key bamboo xylophone).
Gerabah is the traditional unglazed earthenware pottery tradition of Java, with Kasongan village in Bantul district, Yogyakarta, as the primary and most celebrated center.
A miniature-ceramic tradition of Ilobasco, a former Lenca and later Pipil settlement in Cabañas department, in which artisans sculpt tiny painted clay scenes of daily Salvadoran life — a woman selling mangoes, a village market, a nativity…
The hand-decorated production of ceramics in San Marino, tracing a documented continuous 20th-century lineage of named family workshops and factories — Casali, Masi Ceramiche (1938–1947), and Marmaca (founded 1947, employing nearly 200…
The making of religious clay statues, ritual objects, masks, and votive plaques (tsatsa) — one of the thirteen classical Zorig Chusum arts of Bhutan, distinguished among Himalayan Buddhist sculptural traditions and closing a gap distinct…
The specialized clay-extraction and material-selection practices underlying hand-built pottery among Hausa and Zarma potters of Niger, documented through direct peer-reviewed ethnoarchaeological fieldwork.
The hand-building and firing of unglazed clay pottery by women potters at traditional pottery-production centers across Eritrea, using two distinct documented techniques: an older open-firing method and a later-developed closed-firing…