Turkmenistan · Embroidery / Textile
Чепер читиш (Çeper çitiş)
Çeper çitiş (Чепер читиш — skilled needlework) is the Turkmen counted chain stitch embroidery tradition — producing the geometric borders on Turkmen women's dress collars, cuffs, and headdress edges. Turkmen embroidery uses the same base cloth counting system as khamak (CRAFT-0719) but with chain stitch rather than satin stitch, and a specific Turkmen geometric vocabulary dominated by ram's horn (goçak) and S-curve motifs. The defining technical knowledge is the chain link size calibration: 'each chain link must be the same size as my thumbnail — no larger, no smaller. The thumbnail is the measure.'
Risk level: Endangered · Turkmenistan national ICH list
The making of the dutar — a long-necked, two-stringed, pear-bodied lute considered the defining instrument of Turkmen musical culture, inscribed by UNESCO in December 2021 (as 'Dutar making craftsmanship and traditional music performing…
The hand-weaving of düýpli gyňaç — a large, triangular silk headscarf woven exclusively by the Teke people of Turkmenistan and worn at the pivotal moment of the Turkmen wedding ceremony when a bride's maiden headdress is formally replaced…
The Tekke carpet (Текке халы) is the most internationally recognized Turkmen tribal carpet tradition — produced by the Tekke tribe of the Ahal and Mary regions and identified by its specific octagonal gul (medallion) arranged in diagonal…
The Yomut carpet (Йомут халы) is the second major Turkmen tribal carpet tradition — produced by the Yomut tribe of the Caspian coast and Balkan Province, distinguished from Tekke by its specific kepse gul (diamond-shaped medallion)…
The Ersari carpet (Эрсары халы) is the carpet tradition of the Ersari tribe — the largest Turkmen tribal group, settled along the Amu Darya river in Lebap Province in northeastern Turkmenistan and in northern Afghanistan.
Keteni (Кетени) is the silk weaving tradition of the Mary Province oasis — the only significant silk weaving tradition in Turkmenistan, and distinct from Uzbek ikat (CRAFT-0686) in using a warp-stripe system rather than a resist-dyed abr…
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Su embroidery (苏绣) is the embroidery tradition of Suzhou, Jiangsu — considered the finest of China's four great embroidery schools (Su, Shu, Xiang, Yue).
The embroidery tradition of St. Gallen — the most significant luxury embroidery production center in the world, whose Schifflistickerei (shuttle embroidery machine) and hand embroidery traditions have supplied haute couture houses (Chanel,…
The Weißstickerei (white embroidery) tradition of Appenzell Innerrhoden — the fine white-on-white embroidery worked on white linen with white thread, producing extraordinarily detailed floral and figurative patterns visible only through…
The bobbin lace tradition of the Rhineland — historically influenced by the Mechelen (Mechlin) lace tradition of the Spanish Netherlands (now Belgium), whose proximity to the Rhineland through trade routes made Mechelen bobbin lace…
Beeralu (බීරළු) is Sri Lanka's bobbin lace tradition — introduced by Portuguese traders in the 16th century and now so thoroughly naturalized that it is considered a distinctly Sri Lankan craft, concentrated in the coastal communities of…