Turkmenistan · Musical Instrument Making

Dutar Making — Turkmen Two-Stringed Lute

Дутар (Dutar)

The making of the dutar — a long-necked, two-stringed, pear-bodied lute considered the defining instrument of Turkmen musical culture, inscribed by UNESCO in December 2021 (as 'Dutar making craftsmanship and traditional music performing art combined with singing') on the Representative List of the Intangible Cultural Heritage of Humanity. This record closes a complete craft-family gap in the archive's existing 12-record Turkmenistan collection, which spans carpet weaving, dyeing, silver jewelry, silk weaving, felt, embroidery, hat-making, leatherwork, wood carving, and stone-setting but documents no musical instrument. The dutar's resonating body and thin soundboard are both carved from a single, carefully selected block of mulberry wood — practitioners hold that wood from a mulberry tree at least fifty years old produces markedly superior tone, likening the tree's aging process to a person growing wiser with age — while the neck is fashioned from dried apricot-tree trunk. The instrument's cultural centrality is carried in a popular Turkmen story: a documented folk narrative holds that master dutar player Shukur Bagshi's extraordinary performance once helped avert an impending battle between Turkmen forces and a neighboring people, a national legend explicitly cited in contemporary Turkmen government cultural writing on the instrument.

Risk level: Vulnerable · UNESCO Representative List (2021) — Dutar making and performing art

Alternate Names
Dotar (Persian cognate)
Geographic Center
Practiced nationwide, with the Ahal region in south-central Turkmenistan specifically noted for a distinct solo dutar instrumental repertoire (dutarchy), distinguishing it from the instrument's more common role accompanying bagshy epic singers
Community / Ethnic Group
Turkmen — dutar-making and dutar-accompanied bagshy performance are shared, mutually reinforcing traditions central to Turkmen identity, transmitted through specialized master-craftsman (usta) lineages
Estimated Origin
Turkmen oral tradition and folk legend attribute the instrument's mythic origin to a wise man named Eflatun (a Turkmen rendering of the name Plato), who is said to have studied the musical sound produced by the wing-feathers of the legendary Kaknus (Phoenix) bird and constructed the first dutar in imitation of that sound; archaeological evidence from excavations at Merv includes early-centuries-AD terracotta figurines depicting a 'wandering bagshi,' documenting the instrument-and-performer tradition's antiquity independent of the mythic origin story
Cultural Function
The dutar is described in Turkmen cultural sources as 'an inseparable part of Turkmen culture,' used across all the main genres of Turkmen music and singing; it is the essential accompaniment for bagshy — reverred epic singers and poets who alternate narration, improvised singing, and poetry in performances of legends, novels, and historical epics — and dutars were historically treasured personal possessions, kept in special soft fabric cases and never lent to others, reflecting the deeply personal and prestige-bearing relationship between a musician and their instrument
Primary Materials
Mulberry wood (for the resonating body and thin soundboard, carved from a single piece — practitioners specifically prefer wood from mulberry trees at least fifty years old for superior tonal quality); apricot wood (for the neck, specifically the dried trunk of an apricot tree)
Primary Tools
Razor-sharp hollowing tool for carving and hollowing the mulberry body block; wood-shaping and polishing tools; baking apparatus for soundboard-wood moisture removal; bone-glue preparation and application tools; fretting and stringing tools; contemporary makers may additionally use high-precision measuring instruments alongside or instead of a traditional ruler
Process Overview
Mulberry wood block selected (ideally from a tree at least fifty years old) and carved, rounded, and hollowed to form the resonating body, hollowing depth judged by practiced hand-feel; mulberry soundboard wood baked for up to twenty-four hours to remove humidity; soundboard glued over the hollowed body using bone glue; neck fashioned from dried apricot-tree trunk and attached; frets added; strings (traditionally raw silk, commonly steel in contemporary instruments) fitted; instrument tuned to its traditional fourth interval
Traditional Applications
Central accompaniment for bagshy epic singing, legend and poetry performance, and solo instrumental (dutarchy) performance; used across all major genres of traditional Turkmen music and singing; historically a treasured personal possession, never lent to others
Contemporary Applications
Continued central role in contemporary Turkmen music across traditional and modern performance contexts; cultural heritage promotion and international visibility following the 2021 UNESCO inscription; some contemporary makers incorporating measuring-instrument-assisted precision alongside traditional hand-and-eye craftsmanship
Notable Practitioners
Contemporary dutar makers (usta) working within the tradition; historical/legendary figure Shukur Bagshi (celebrated dutar player whose performance is credited in popular Turkmen tradition with helping avert an impending battle)
Key References
UNESCO, 'Dutar making craftsmanship and traditional music performing art combined with singing' (Representative List, 2021); Turkmenistan.gov.tm, 'The Dutar: The Soul of Turkmens'; Bibliolore, 'Improvisation schemas and the Turkmen dutar'; Turkmenportal.com, 'Musical palette of instruments of Central Asia: Uzbek karnay, Tajik rubab, Turkmen dutar'; Encyclopedia of Crafts WCC-Asia Pacific Region, 'Traditional musical instruments'
Verification Status
Verified

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