Türkiye · Puppet making; Shadow theater; Ottoman heritage
Türk Karagöz — Osmanlı Gölge Oyunu Geleneği
The Turkish Karagöz shadow puppet theater tradition — the Ottoman source tradition from which the Greek Karagiozis (CRAFT-1554) was adapted; the making of the flat jointed leather tasvir (figures) and the hayalci performance tradition that is the founding shadow puppet theater of the Islamic Mediterranean world. The Turkish hayalci reads the leather tasvir quality through the same backlight-and-color assessment as the Greek tradition (CRAFT-1554) but calibrated to the specific Turkish tradition's more complex multi-character vocabulary.
Risk level: Endangered · UNESCO ICH 2009 — Turkish shadow puppet theater Karagöz; joint inscription with Greece, Cyprus, and Azerbaijan
The illumination of manuscripts, calligraphic panels and documents with gold and color.
The Turkish ebru water marbling tradition — the creation of marbled patterns on paper or other surfaces by floating natural pigments on a gum tragacanth size and manipulating them before transfer to paper, whose specific combination of ox…
The İznik ceramic tradition — the production of the finest Ottoman underglaze-painted tiles and vessels whose specific combination of the brilliant İznik white slip body, the deep cobalt blue, tomato red, and emerald green underglaze…
The Turkish keçe (felt) making tradition — the production of the Anatolian hand-made wool felt using the specific rolling and felting technique of the nomadic Turkish traditions, producing both functional felt objects and the decorative…
The Turkish carpet weaving tradition — the production of both flat-woven kilim and pile-knotted carpets from the Anatolian villages and regions whose specific geometric vocabulary, natural dye palette, and weaving density create the most…
The bath attendant’s hands-on technique in the Turkish hammam: after the bather sweats on the heated marble platform (göbek taşı), the attendant rinses them from a bowl, scrubs with a coarse kese mitt until dead skin rolls away, then soaps…
The construction of the shatweh, a distinctive conical headdress shaped like an upturned flower pot or a man's tarboosh, worn exclusively by married women of Bethlehem and the neighboring villages of Beit Jala, Beit Sahur, Lifta, and Ayn…
Sbek Touch (សបែកតូច — 'small hide') is Cambodia's second shadow puppet tradition — distinct from the large UNESCO-inscribed Sbek Thom (CRAFT-0511) in both scale and technique.
The making of costumes, symbolic props, calligraphic elements, and musical instruments supporting Ta'zieh, Iran's ritual dramatic art form reenacting the events of the Battle of Karbala (680 CE), centering on the tragic death of Husayn ibn…
The props used in Khmer Royal Court Dance (Robam Preah Reach Trop) include ceremonial fans (sloeuk rompheap), floral garlands (phka), and ritual objects held by specific character types — all made by specialist prop makers who serve the…
The Prajapati caste of Thimi (near Bhaktapur) produces Nepal's primary terracotta festival masks for Indra Jatra using press-molding into carved wooden molds — a Nau-Prajapati inter-caste collaboration (Nau carvers the mold, Prajapati…
The Tuvalu traditional costume craft — the production of the distinctive Tuvaluan dance costume (titi) from pandanus leaf strips, dried grasses, and shells for the fatele (community dance) performances that are the defining cultural…