Türkiye · Painting & Manuscript Arts

Ottoman-Turkish Illumination (Tezhip)

Tezhip (from the Arabic zeheb, gold); practitioner: müzehhip / müzehhibe; illuminated work: müzehheb

The illumination of manuscripts, calligraphic panels and documents with gold and color. Gold leaf is mixed with gum arabic and water into a putty and worked by finger or tool into a fine paint; the pattern, usually designed as a half or quarter of a symmetrical whole, is drawn, laid in gold first and burnished with a mühre, a tool with a polished agate at its tip, before the colored motifs are painted one by one and the fine outlines and details added. Historically the colors were natural pigments ground by hand on a wet marble slab with a hand stone (deste-seng) and bound with acacia gum, and they have kept their brightness for centuries. The art grew from 14th-century Konya into the classical style of the Ottoman palace studio (nakkaşhane) under Mehmed II and Bayezid II, and in Istanbul illuminators were once certified each year at an icazet ceremony. A Turkish idiom describes the work: 'to dig a well with a needle.' The art of illumination was inscribed on the UNESCO Representative List in 2023 by Türkiye, Azerbaijan, Iran, Tajikistan and Uzbekistan.

Risk level: Vulnerable · Inscribed 2023, Representative List: 'Art of illumination: Təzhib / Tazhib / Zarhalkori / Tezhip / Naqqoshlik' (Azerbaijan, Iran, Tajikistan, Türkiye, Uzbekistan)

Alternate Names
Turkish illumination; Ottoman manuscript illumination; halkârî (gold-only illumination)
Geographic Center
Istanbul, with roots in Konya; taught today in university traditional-arts departments across Türkiye
Community / Ethnic Group
Illuminators (müzehhip, müzehhibe), historically working alongside calligraphers, binders, paper-makers and pigment-makers
Estimated Origin
Among Turks from about the 9th century; early Anatolian examples concentrated in 14th-century Konya; classical Ottoman style from the late 15th century in the Topkapı Palace nakkaşhane established by Mehmed II (r. 1451–1481).
Cultural Function
Honors and frames sacred and literary text, above all the Qur'an, whose decorated pages shaped tezhip terminology; also adorned imperial documents and calligraphic panels.
Primary Materials
Gold leaf; gum arabic; paper; pigments, historically natural and ground by hand
Primary Tools
Mühre (burnisher with a polished agate tip); fine brushes; drawing tools for the pattern
Process Overview
Design the symmetrical pattern → draw it on the page → apply gold paint → burnish with the mühre → paint the colored motifs one by one → draw outlines and add fine details.
Traditional Applications
Qur'an pages (zahriye, serlevha, verse-stop rosettes, margin roses, hatime), calligraphic panels, imperial documents, book covers
Contemporary Applications
Calligraphic panels, contemporary illuminated works and teaching; classical and modern approaches combined
Notable Practitioners
Historic masters: Baba Nakkaş (head of Mehmed II's nakkaşhane), Shah Kulu, Kara Memi, Ali Üsküdari (18th century). 20th-century teachers: Süheyl Ünver (1898–1986), Rikkat Kunt (1903–1986), Muhsin Demironat (1907–1983).
Key References
F. Çiçek Derman, 'Tezhip Art in Istanbul', Istanbul Tarihi (istanbultarihi.ist/633); Türkiye'nin Ustaları, 'Art of Illumination (Tezhip)'; UNESCO Intangible Cultural Heritage, 'Art of illumination' (2023); Ministry of Foreign Affairs of Tajikistan, announcement of the 2023 inscription
Verification Status
Desk-Researched

More from Türkiye

  • Turkish Coffee — UNESCO ICH Preparation TraditionFood, Drink & Botanical · Stable

    The Turkish coffee preparation tradition — the brewing of finely ground coffee in a cezve (small copper or brass pot) over heat to produce the characteristic unfiltered Turkish coffee with its specific dense foam (köpük or kaymak) that is…

  • Turkish Lavaş Bread — UNESCO ICH Flatbread TraditionFood, Drink & Botanical · Stable

    The Turkish lavaş (lavash) flatbread tradition — the production of the ultra-thin, large-format unleavened flatbread baked on the sac (convex iron griddle) or in the tandır (clay oven) that is the fundamental bread of the Turkish Anatolian…

  • Turkish Marbled Leather — Cilt Sanatı Bookbinding TraditionLeatherwork · Vulnerable

    The Turkish cilt sanatı (bookbinding art) tradition — the production of the classic Ottoman leather-bound book with the specific combination of stamped and gold-tooled leather cover and the ebru marbled paper endpapers that represents the…

  • Trabzon Silver Filigree — Black Sea Byzantine TraditionMetalwork & Jewelry · Vulnerable

    The Trabzon silver filigree tradition of the Black Sea coast — the production of the distinctive Trabzon telkari (silver filigree) whose specific vocabulary of stylized flowers, leaves, and geometric forms in fine twisted silver wire…

  • Turkish Simit Making — Sesame Ring Bread TraditionFood, Drink & Botanical · Stable

    The Turkish simit making tradition — the production of the circular sesame-crusted bread ring that is the most universally consumed Turkish street food, whose specific combination of pekmez (grape molasses) dipping before sesame coating…

  • Kütahya Tile and Pottery — Second Ottoman Ceramic CentreCeramics & Pottery · Stable

    The Kütahya tile and pottery tradition — the second great Ottoman ceramic center after İznik, which has maintained continuous production since the 15th century and became the primary Ottoman ceramic center after İznik's decline in the 18th…

All techniques in Türkiye →

Related papercraft & printing elsewhere

  • Yangliuqing New Year Print (Nianhua)China · Endangered

    Yangliuqing nianhua (杨柳青年画) is the Chinese New Year woodblock print tradition of Yangliuqing town, Tianjin — one of the four canonical New Year print centers alongside Weifang, Foshan, and Taohuawu — and the tradition that most…

  • Naxi Dongba Paper Making (Dongba Zhi)China · Critically Endangered

    Naxi Dongba paper (东巴纸) is the ritual paper made by the Naxi people (纳西族 Nàxīzú) of Lijiang, Yunnan, specifically for the Dongba religious manuscripts — the pictographic scripture tradition of Naxi shamanism, inscribed on UNESCO's Memory…

  • Chinese Ink Stick Making (Zhimo)China · Endangered

    Huimò (徽墨) — Huizhou ink stick — is one of the Four Treasures of the Chinese Scholar's Studio (文房四宝 wénfáng sìbǎo), produced in Shexian County, Anhui, for over 1,000 years.

  • Huizhou Woodblock Printing (Huipai)China · Critically Endangered

    Huipai woodblock printing (徽派版画) is the refined illustration and text printing tradition developed in Huizhou (now southern Anhui province) during the Ming and Qing dynasties — and recognized as the apex of Chinese woodblock printing…

  • Chinese Multi-Layer Stack-Cut Jianzhi Paper-CuttingChina · Endangered

    Chinese paper cutting (剪纸) is the folk art of cutting intricate designs from a single sheet of paper using scissors or a knife, creating negative-space patterns that are applied to windows, walls, and ritual objects for festivals,…

  • Kurpie Wycinanki — Forest Paper CuttingPoland · Vulnerable

    The Kurpie wycinanki tradition of the Puszcza (forest) region of Mazovia — a distinct variant from the Łowicz wycinanki (CRAFT-1362), typically single-color (green or black, referencing the forest environment) and characterized by more…

All papercraft & printing techniques →