Costa Rica · Gourd Carving

Maleku Jícaro (Calabash Gourd) Carving

Pupas (jícaro, Maleku Jaica)

The carving of jícaro (calabash) gourds by the Maleku, one of Costa Rica's smallest Indigenous peoples — roughly 750 remaining, in three villages inside a rainforest reserve near the Arenal Volcano — in which women artisans, historically cutting with sharpened stone and today with a small knife, incise jaguars, monkeys, snakes, butterflies, and spiritual motifs into vessels originally used simply as drinking cups and storage containers before the carving itself became the tradition's defining art form.

Risk level: Critically Endangered · Not currently inscribed on a UNESCO Intangible Cultural Heritage list under this specific technique; Costa Rica ratified the UNESCO 2003 Convention for the Safeguarding of Intangible Cultural Heritage in 2007 and could nominate this technique in the future.

Alternate Names
Guatuso gourd carving; Maleku calabash art
Geographic Center
Guatuso Indigenous Reserve, near San Rafael de Guatuso, Alajuela province, across the three palenques (villages) of Tonjibe, Margarita, and El Sol
Community / Ethnic Group
Maleku (also called Guatuso)
Estimated Origin
The Maleku trace their presence in the region back over 10,000 years, linked to the broader Chibchan-speaking peoples of Central America, and controlled a territory of roughly 2,500 square miles before Spanish contact in the 1750s; jícaro carving developed within this deep continuity as a practical craft — gourds served as drinking vessels and storage containers — before decorative carving became an established artistic tradition in its own right, historically the specialized domain of Maleku women
Cultural Function
The Maleku are among the few Indigenous groups in Costa Rica to have kept their language, Maleku Jaica, actively alive, and jícaro carving functions today as both a continued cultural practice and a primary means of economic support for a community that, per direct community testimony, occupies only about 15 percent of its own government-granted territory, with the remainder occupied by non-Indigenous settlers; carved motifs — jaguars, monkeys, snakes, butterflies — draw on the same rainforest environment and spiritual worldview reflected in Maleku oral tradition, including stories such as that of a sacred tree that once sheltered a legendary Maleku man from a jaguar
Primary Materials
Jícaro (calabash) gourds
Primary Tools
A small knife (contemporary); a sharpened stone (historical)
Process Overview
Preparing a dried jícaro gourd shell and hand-carving figurative animal and spiritual motifs into its surface using a small knife
Traditional Applications
Drinking vessels and storage containers (the gourd's original practical function), later developing into decorative carved art
Contemporary Applications
Continued decorative carving sold to tourists and through craft retailers, alongside cultural-tourism carving workshops that directly support community income; the community's separate balsa wood mask tradition is commercially represented through outlets such as Novica under the "Caronco Maleku Artisans" attribution
Notable Practitioners
Iki, a Maleku craftswoman and gourd-carving expert who teaches the technique directly to visitors; Alcides Elizondo Castro, a Maleku community leader and member of the Association for the Development of the Indigenous Maleku Territory, documented advocating for the community's land rights
Key References
Tico Travel, 'Preserving Ancient Traditions: The Maleku People of Costa Rica'; Cultural Survival, 'Life, Health, Purity, and Survival: the Maleku of Costa Rica Struggle to Regain Lost Lands'; Enjoy Costa Rica, 'Kapi Kapi Tour'; Morpho Evasions Costa Rica, 'Stories and ways of life of the Maleku indigenous community,' citing Ceruti (2010)
Verification Status
Desk-Researched

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