Guyana · Wood Carving / Fine-Art-Adjacent Workshop Craft

St. Cuthbert's Mission Lokono Wood Sculpture

Pakuri (the Lokono name for St. Cuthbert's Mission)

A contemporary indigenous wood-sculpture movement founded in August 1988 by Guyanese Lokono (Arawak) artist and trained archaeologist George Simon (1947–2020), who established a drawing and design workshop in his native St. Cuthbert's Mission — an Amerindian village on the Mahaica River regarded as Guyana's Amerindian "cultural capital" — to nurture the talents of fellow villagers. The resulting "Six Lokono Artists," including Simon's brothers Oswald "Ossie" Hussein and Foster Simon alongside Roland Taylor, Telford Taylor, and Lynus Clenkian, transformed carved wood — ranging from towering 20-foot totem poles to intricate small figures — into a recognized national and international art form exploring Arawak cosmology, myth, and the archaeological petroglyphs Simon himself studied professionally, evolving into the broader Moving Circle of Artists collective still honored today.

Risk level: Vulnerable · Not UNESCO-inscribed

Alternate Names
Lokono Artists Group; Moving Circle of Artists (MCA)
Geographic Center
St. Cuthbert's Mission (Lokono: Pakuri), an Amerindian village of approximately 200 households on the Mahaica River, Demerara-Mahaica region (Region 4)
Community / Ethnic Group
Lokono (Arawak) people
Estimated Origin
The formal, named movement dates to August 1988, when George Simon founded a drawing and design workshop in St. Cuthbert's Mission upon returning to the village; Simon himself had left for Essex, England at age 12 with his adoptive father, graduated from the University of Portsmouth with a fine art degree in 1978, and returned to Guyana the same year, later also earning a master's degree at University College London in field and analytical archaeological technique
Cultural Function
The sculptures explore Arawak Amerindian myth, legend, spiritual belief, and cosmology — described by contemporaries as decoding the community's "timehri inheritance" (ancestral petroglyph markings) — with Simon's own archaeological research into regional petroglyphs directly informing the abstract linear visual language he and his students developed; the movement is understood within Guyana as having single-handedly revived sculpture as a Guyanese art form at a moment when, per one named critic, "Guyanese Art, especially sculpture, had almost disappeared"
Primary Materials
Locally sourced wood (species not itemized in available sources, though leopard wood is separately documented as used for tourist-market carving in the wider Rupununi region)
Primary Tools
Wood-carving tools (not itemized in specific detail in available sources)
Process Overview
Working within a workshop tradition founded and mentored by George Simon, Lokono artists of St. Cuthbert's Mission carve wood into monumental and small-scale sculptural forms, directly translating studied ancestral petroglyph iconography and Arawak cosmological themes into abstract and figurative compositions, developed and refined through sustained group mentorship, national exhibition, and international recognition.
Traditional Applications
Not applicable in a pre-1988 sense — this is a documented, dated contemporary art-movement founding, though it draws directly on much older Lokono cosmological and archaeological (petroglyph) source material
Contemporary Applications
Fine-art sculpture and painting exhibited nationally and internationally (Spain, France, New York's Museum of Natural History, Chad, Barbados, Montreal); public art and murals (Carifesta X, 2008; the Palace of the Peacock mural, University of Guyana, 2009); ongoing exhibition and honor through the Moving Circle of Artists and periodic national retrospectives
Notable Practitioners
George Simon (23 April 1947 – 15 July 2020), Lokono Arawak artist, archaeologist, and lecturer, born in St. Cuthbert's Mission, founder and mentor of the Lokono Artists Group/Moving Circle of Artists, University of Guyana lecturer in art, archaeology, and anthropology and coordinator of its Amerindian Research Unit, former tutor at the E.R. Burrowes School of Art, recipient of the Golden Arrow of Achievement (1998) and the Anthony N. Sabga Caribbean Award for Excellence (2012), notable works including Universal Woman (2008) and the Palace of the Peacock: Homage to Wilson Harris mural (2009, University of Guyana Turkeyen campus, co-created with Philbert Gajadhar and Anil Roberts); Oswald "Ossie" Hussein (born 1954, St. Cuthbert's Mission), Simon's brother, one of Guyana's most celebrated sculptors, two-time National Visual Arts Exhibition First Prize winner (1989, 1993), notable works Massasekeree (1989), Wepelly (1993), and Oriyu Banka (1995); Foster Simon, Roland Taylor, and the late Telford Taylor and Lynus Clenkian, the remaining named members of the original "Six Lokono Artists"; Dennis Williams, the archaeologist, artist, novelist, and polymath credited as George Simon's own formative mentor
Key References
Wikipedia ("George Simon (artist)"; "Oswald Hussein"; "St. Cuthbert's Mission"); Guyana Chronicle ("The Lokono Sculptors of Pakuri," by Ravena Gildharie; "Indigenous art exhibition honours George Simon"); Stabroek News ("George Simon and the rise of unique Guyanese art"); Kaieteur News ("Leading artist and anthropologist George Simon, A.A. is a 'Special Person'"); News Room Guyana ("Legendary artist George Simon dies after battle with cancer"); Department of Public Information, Guyana ("Indigenous art exhibition honours George Simon"); Guyana Cultural Association ("George Simon")
Verification Status
Desk-Researched

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