Madagascar · Textile / Basketry
Landibe (also landy be, 'big silk,' the indigenous wild silkworm, Borocera cajani/madagascarensis, and its silk); landy dia (a further local term for the same wild silk); landy kely ('little silk,' the imported/later domesticated Bombyx mori silk, distinguished from indigenous landibe in historical usage); lamba (the general woven rectangular garment); lamba mena ('red silk,' the specific Merina royal-prestige silk cloth)
The harvesting, boiling, hand-spinning, and weaving of wild silk cocoons -- produced by the indigenous landibe silkworm (Borocera cajani, also documented as B. madagascarensis), which feeds exclusively on the leaves of the tapia tree (Uapaca bojeri) -- into lamba, Madagascar's traditional rectangular woven cloth, a centuries-old practice sustained particularly in the tapia-forest regions surrounding Ambalavao and Soatanana, and in weaving centers including Antananarivo and Fianarantsoa. Cocoons are collected from tapia forests, boiled to remove their natural gum coating, hand-spun on wooden spindles, and woven on horizontal or vertical looms into cloth prized for natural textures and color variations no industrial process can replicate. A dedicated peer-reviewed academic study of a vernacular Malagasy manuscript, attributed to a royal diviner-healer and dated to approximately 1870, provides rare direct historical documentation distinguishing indigenous wild silk (landy ny Merina, or landibe) from imported and subsequently domesticated Bombyx mori silk (landy kely), which Malagasy weavers began cultivating themselves from the 1820s after first importing it in skeins from Arab traders. The most prestigious traditional silk product, lamba mena ('red silk'), held deep status significance within the historic Merina kingdom, its name referring not necessarily to literal color but to the cloth's association with royal prestige and ancestral authority, themselves linked to the color red within Merina cosmology; a widely cited Malagasy proverb captures the lamba's extraordinary functional versatility across a person's entire life: 'When one is angry it is wrapped around the waist to free one's hands to fight, when one sleeps it serves as a blanket, when one goes out it is worn as clothing, when one dies it becomes a shroud.' The industry suffered significant mid-20th-century decline as bush fires, felling, and invasive species devastated the tapia forests on which landibe silkworms depend, but has undergone substantial revival over recent decades through combined conservation and craft-cooperative efforts: the NGO Ny Tanintsika ('our land'), affiliated with the UK-based Feedback Madagascar, helped establish silk-worker cooperatives and forest-management groups from the 2000s, recognizing that silk-making and weaving skills do not necessarily occur in the same villages as the tapia trees themselves; separately, in 2004, Peace Corps health volunteer Kyley Schmidt -- who had studied textile design at North Carolina State University -- helped the weavers of Soatanana, whose market had nearly disappeared, organize themselves into the Firaisankina cooperative, restoring economic viability so that, in cooperative member Madame Eugenie's own words, 'there is enough money to buy food, there is enough money to buy medicine, there is enough money for school fees and for each family.'
Risk level: Endangered · Not independently inscribed
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