Japan · Textile / Weaving / Bast Fiber and Ikat

Miyako Jōfu Ramie Cross-Ikat Weaving

宮古上布 (Miyako Jōfu)

Miyako jōfu (宮古上布) is a ramie cloth from Miyakojima and Tarama, woven from hand-spliced yarn so fine that a single warp strand is split to about the width of a hair. It is counted among Japan's finest ramie cloths. Most Okinawan textiles draw their patterns in lines. Miyako jōfu works like pointillism instead: countless white crosses about 1 mm across (jūji-gasuri), formed where tiny resist-reserved spots on warp and weft coincide, build up dense indigo all-over patterns. The weaver stops constantly to realign individual threads with a needle, and even a skilled weaver manages only about 20 cm a day. Tradition credits its origin to Inaishi, who in 1583 presented a fine indigo-striped ramie cloth (ayasabi-fu) to the Ryukyu king in thanks for her husband's bravery at sea. From 1637 it was fixed as poll-tax cloth, and the tax's exacting standards are what shaped the technique. Hammering the finished cloth with a 4 kg mallet for about three hours (kinuta-uchi) gives it a waxy sheen. Output peaked at about 15,000 bolts a year in the 1930s. Today it is about 30.

Risk level: Critically Endangered · Not inscribed. National Important Intangible Cultural Property 'Miyako Jōfu' (group holder: Miyako Jōfu Preservation Society, 1978). METI Traditional Craft Product (17 February 1975)

Alternate Names
Miyako jofu; Miyako ramie cloth; bū (ramie, Miyako dialect); urizun-bū; jūji-gasuri (cross ikat); ayasabi-fu; kinuta-uchi finish
Geographic Center
Miyakojima City and Tarama Village, Miyako District, Okinawa Prefecture
Community / Ethnic Group
Miyakoan (Ryukyuan); historically women of the Miyako Islands
Estimated Origin
Traditionally dated to 1583 (Inaishi's ayasabi-fu presented to the Ryukyu king — a legend); fixed as poll-tax cloth in 1637; poll tax abolished 1903
Cultural Function
Poll-tax cloth (from 1637); luxury summer kimono; once one of Miyako's three main industries with sugarcane and dried bonito
Primary Materials
Hand-spliced ramie yarn (bū), warp and weft
Primary Tools
Abalone shell (fiber scraper); spinning wheel; kasuri-binding machine; loom; needle for thread alignment
Process Overview
Ramie cultivation -> fiber extraction (abalone shell) -> hand-splicing and plying -> design on graph paper -> warping and starching -> kasuri binding into a 'kasuri mat' -> starch removal -> Ryukyu indigo dyeing (~20 cycles) -> unbinding -> temporary reed threading -> weaving with needle correction -> washing -> starching and folding -> kinuta-uchi (~3 h)
Traditional Applications
Poll-tax cloth; summer garments
Contemporary Applications
Luxury summer kimono cloth
Notable Practitioners
Taira Kiyoko (b. 1938) — weaver, over 30 years at the time of interview, successor trainer at the Miyako Textile Business Cooperative (Aoyama Square profile; given-name reading from machine translation). Inaishi (稲石) — legendary originator (1583). Other names in the Aoyama Square interview are omitted because the machine-translated readings could not be confirmed
Key References
Association for the Promotion of Traditional Craft Industries, Aoyama Square, 'MIYAKO Jofu (Ramie Textiles)' (kougeihin.jp/craft/0127); Miyakojima City, 'Kuni shitei: Miyako Jōfu'; Okinawa Prefecture designated-properties register (2019)
Verification Status
Verified — process and designations; practitioner name readings partly from machine translation

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