Japan · Textile / Weaving / Supplementary Float-Weave

Chibana Hanaori Warp-Float Weave

知花花織 (Chibana Hanaori)

Chibana hanaori (知花花織) is the float-weave of the former Misato Village, today's Chibana, Noborikawa and Ikehara districts of Okinawa City. It is distinguished by warp floats: the pattern threads run in the warp direction. It has two techniques. In sōkō-bana, a double-woven structure, the weaver lifts pattern-heddle frames by hand, hooking them in sequence, which leaves long loose pattern floats on the reverse. In tī-bana (also called nuitori, 'embroidery weaving'), pattern warps are picked up by hand, so the floats can run in warp or weft and the back stays clean. Grounds are typically Ryukyu-indigo navy with red and white floats, combined with kasuri and checks. By the late 19th century the technique was fixed, and cloth was woven for jackets (uchaki), hand-cloths (tīsāji), vests (dujin) and festival wear. It is still worn at the village's Usudēku, a women's harvest-prayer drum dance on the 15th of the eighth lunar month, and associated with the Umaharashī horse race the day before. Devastated in the war, it was restored in 1989 (per trade sources) and designated nationally in 2012.

Risk level: Vulnerable · Not inscribed. METI Traditional Craft Product (25 July 2012). Okinawa Prefecture traditional craft (2010, per Okinawa Kōgei no Mori; a second listing on the same site gives 2011)

Alternate Names
Chibana hana-ori; sōkō-bana (heddle flower); tī-bana (hand flower); nuitori hanaori; uchaki; tīsāji; dujin
Geographic Center
Chibana, Noborikawa and Ikehara districts, Okinawa City (former Misato Village), Okinawa Prefecture
Community / Ethnic Group
Okinawan (Ryukyuan); Chibana village weavers
Estimated Origin
Origin unknown; producers' site cites 18th-century roots; techniques fixed by the late 19th century
Cultural Function
Festival and ritual dress for Usudēku and Umaharashī; everyday jackets, vests and hand-cloths
Primary Materials
Cotton and silk yarn (linen also permitted)
Primary Tools
Loom with hand-lifted pattern-heddle frames and hooks (sōkō-bana); hand-thrown shuttle
Process Overview
Gather dyes -> tie kasuri -> dye -> warp -> beam -> heddle -> weave, lifting the float threads with hana-heddles
Traditional Applications
Uchaki jackets, tīsāji, dujin vests, festival kimono
Contemporary Applications
Kimono cloth, obi, haori cloth, table runners, ties, small goods
Notable Practitioners
幸喜新 (Kōki Arata) — researcher whose University of the Ryukyus study of the technique underpinned the revival. The cooperative has over 60 weavers, from 20-year veterans to first-year trainees
Key References
Association for the Promotion of Traditional Craft Industries, Aoyama Square, 'CHIBANA Hana-ori' (kougeihin.jp/craft/0136); Okinawa Kōgei no Mori, 'Chibana Hanaori' (origin/4887) and cooperative page (union/2972); Chibana Hanaori Business Cooperative website; Okinawa City, Kōhō Okinawa No. 462 (Dec 2012), '知花花織' feature with the 10-step process; Koza Kōgeikan Fundū, '知花花織'; Chibana Hanaori Cooperative (chibana-hanaori.com)
Verification Status
Partially verified — designations and technique definitions verified; the 1989 restoration date comes from a trade source only; no process sequence documented

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