Brazil · Single-string musical bow instrument making

Bahia Berimbau Making

Construção de Berimbau

The making of the berimbau — a single-stringed musical bow consisting of a curved wood bow (verga or arco), a steel string (arame), and a resonating chamber made from a dried, hollowed gourd (cabaça) — the leading instrument of capoeira, the Afro-Brazilian martial art blending music, ritual, and movement. Descended from African musical bows such as Angola's mbulumbumba, the berimbau took root in Brazil through the transatlantic slave trade and, by the early 20th century, had overtaken the drum as capoeira's primary accompanying instrument, particularly in Bahia. Master craftsman Overlan Lionato da Silva, known throughout and beyond Brazil as 'Bahiano dos berimbaus,' began learning the craft in his early teens by cleaning biriba wood branches for his capoeira teacher, Mestre Estrela, as payment for lessons — a documented apprenticeship-through-labor exchange typical of how many capoeiristas historically entered the trade. Biriba wood, from which the instrument's name derives, is specifically prized for its flexibility, weight, and sound quality, but is documented as facing a genuine sustainability concern: a single biriba branch requires more than three years to regrow to usable size, prompting both individual makers and the formally organized Cachoeira Berimbau Cooperative to actively protect artisanal wood sourcing and production against competition from industrial replicas.

Risk level: Vulnerable · Not Applicable as a direct ICH inscription for berimbau-making specifically, though capoeira itself — the cultural practice the berimbau centrally accompanies — was inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2014

Geographic Center
Bahia state, with Cachoeira specifically documented as home to a formal berimbau-making cooperative
Community / Ethnic Group
Afro-Brazilian community, with the craft's origins specifically traced to Angolan musical-bow traditions carried via the transatlantic slave trade
Estimated Origin
African musical bows similar to the berimbau, including Angola's mbulumbumba, provide the instrument's documented ancestral origin; the berimbau reached Brazil through the transatlantic slave trade and is referenced in 19th-century European chronicles describing bow instruments played by Black street vendors and beggars; following the 1888 abolition of slavery in Brazil, the instrument disappeared from marketplaces before gradually returning to public visibility through its association with capoeira, becoming that art form's primary instrument by the early 20th century, particularly in Bahia
Cultural Function
Explicitly framed by contemporary sources as more than an instrument — 'a bridge' uniting past and present, Africa and Brazil, struggle and art; the berimbau's adoption was initially restricted specifically to Afro-Brazilian communities before expanding following capoeira's national and international popularization in the mid-20th century; a documented origin myth, recorded in the Magazine of the Geographic and Historical Institute of Bahia (No. 80, 1956), tells of a girl transformed into the berimbau after being killed at a stream — her body becoming the wooden bow, her hair the wire string, her cupped hands the gourd, and her cries the instrument's sound; within capoeira practice, the lowest-toned berimbau (gunga or berra-boi) is regarded by many groups as the lead instrument, controlling the tempo, participant order, and overall conduct of the capoeira roda (circle)
Primary Materials
Biriba wood, specifically prized above alternatives for its flexibility, weight, and sound quality, and the source of the instrument's own name; alternative woods including tapioca, aracá, and bamboo (the latter increasingly popular for the smaller viola berimbau, valued for its lighter weight)
Primary Tools
A sharp knife, for cleaning bark from the cut wood branch; nails, for attaching the leather wire-guard at the bow's top
Process Overview
Biriba wood — or, increasingly for lighter viola instruments, bamboo — is diagonally cut to allow the source tree to regrow, then cleaned of bark and shaped into a flexible, strong curved bow (verga), fitted with a steel wire (arame) secured at the base and protected by a nailed leather guard at the top, and paired with a dried, hollowed gourd (cabaça) whose size determines the finished instrument's pitch — producing the berimbau, capoeira's leading instrument, a craft descended from African musical bows and historically transmitted within Afro-Brazilian capoeira communities, often through direct apprenticeship exchanged for capoeira instruction.
Traditional Applications
The leading musical instrument accompanying capoeira, setting rhythm, tempo, and overall conduct of the capoeira roda (circle); historically also played independently by Afro-Brazilian street vendors and beggars, per 19th-century documentation
Contemporary Applications
Continued central role in capoeira practice, now popular worldwide, with capoeira academies teaching the instrument to international students in cities including New York and Berlin; a documented presence on social media (dedicated tutorial and performance accounts) and at international festivals (Capoeira Sul da Bahia); incorporation into broader musical genres beyond capoeira, including jazz and electronic music, and historical use by musicians such as Vinicius de Moraes, whose song 'Berimbau' prominently featured the instrument
Notable Practitioners
Overlan Lionato da Silva, known as 'Bahiano dos berimbaus,' who began learning the craft in his early teens by cleaning biriba branches for his capoeira teacher Mestre Estrela in exchange for lessons; Cabello, a capoeirista and instrument-maker based in New York City, who follows the specific technique taught to him by his own Mestre and sources only reliably-supplied Brazilian biriba; Mestre Bimba Filho, a contemporary master documented conducting berimbau livestream sessions reaching international audiences
Key References
Capoeira Connection, 'The art of building the berimbau' (Overlan Lionato da Silva and Cabello profiles); World Music Central, 'Berimbau: Bowed Sounds at the Heart of Afro-Brazilian Tradition'; Britannica, 'Berimbau: a Brazilian musical bow'; Wikipedia, 'Capoeira music'; Dendê Arts, 'History of the Berimbau: From Africa to Capoeira' (origin myth, 1956 Bahia journal citation); Toquei.com, 'Berimbau: História, Técnicas e Curiosidades do Ícone da Capoeira' (Cachoeira Berimbau Cooperative reference)
Verification Status
Desk-Researched — Needs Practitioner Verification

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