เซลาดอน (Seladon)
High-fired stoneware with distinctive jade-green, cobalt blue, or brown translucent glaze achieved through a specific glaze formula of feldspar, limestone, ash, and red clay, fired in wood-burning kilns. A revival of the Sukhothai-period ceramic tradition re-established in Chiang Mai from the 1980s. The wood-kiln reduction atmosphere is the irreplaceable tacit knowledge element.
Risk level: Endangered · Not Listed
Thai bodywork in which practitioners use hands, elbows, knees and feet to work along the sen — lines understood to cross the body — aiming to rebalance body and energy and the four elements.
Making of herbal compresses — chopped fresh or dried plai, turmeric, lemongrass, kaffir lime, tamarind and camphor, sometimes with salt — bundled tightly in cotton or muslin, steamed and pressed and rolled over the body, often as part of…
Warp or weft ikat silk weaving where threads are bound and dyed before weaving, producing characteristic soft-edged geometric patterns.
Carving and assembly of smaller (50-80cm), articulated leather shadow puppets for southern Thai Nang Talung shadow theater.
Carving and piercing of large dried buffalo hide panels (1-2m tall) to create the silhouette figures used in Nang Yai shadow theater.
Construction of papier-mâché base masks for the UNESCO-listed Khon masked dance drama (ICH 2018), decorated with lacquer, gold leaf, colored glass, and intricate fabric trim.
Contemporary studio ceramics in Uruguay, made in small independent workshops in which one maker shapes, decorates and fires each piece.
The study, reproduction and reinterpretation of pre-Columbian ceramic forms and techniques of the Americas, such as an Andean-style maternal figure cradling a bowl, a triangle-banded vessel echoing Diaguita ceramics, and a fine, dark…
Mashiko-yaki (益子焼) is the folk pottery tradition of Mashiko Town, Tochigi Prefecture — transformed from a regional utilitarian tradition into an internationally recognized folk craft center by Hamada Shoji (濱田庄司, 1894–1978), Living…
Red earthenware pottery decorated using two related techniques — sgraffito, in which a design is scratched through a white slip coating to reveal the red clay beneath, and slip-trailing, in which liquid slip is poured freehand through a…
Kiyomizuyaki (清水焼) is the umbrella designation for Kyoto's diverse ceramic tradition — named for the Kiyomizu area of eastern Kyoto where kilns have operated since the early Edo period.
Stoneware (gres) thrown on the wheel for functional ware and built into sculptural volumes assembled with iron, using clay the maker collects himself or sources from Uruguayan deposits; the sculptural series refer to Uruguayan territory…