Uzbekistan · Paper Making

Samarkand Paper Making (Samarqand Qog'oz — Mulberry Bark Revival)

Самарқанд қоғози (Samarqand Qog'oz)

Samarkand paper (Самарқанд қоғози) was the finest paper in the medieval Islamic world — mentioned by Arab geographers as early as 751 CE following the Battle of Talas, when Chinese papermakers captured by Arab forces introduced the technique to Central Asia. The Samarkand tradition was destroyed by Mongol invasion (1220 CE) and the Soviet period suppressed revival attempts. The Meros paper workshop in Samarkand revived the tradition in 1995 using historical descriptions and Chinese mulberry paper techniques. The defining technical knowledge is the beating duration calibration: mulberry bark fibers must be beaten until the pulp 'holds a fingerprint for exactly three seconds.' The same three-second standard as Tibetan gtor-ma (CRAFT-0620) applied to paper pulp.

Risk level: Critically Endangered · Uzbekistan national ICH list; UNESCO Silk Road heritage recognition

Alternate Names
Samarkand paper; qogoz; mulberry bark paper Uzbekistan; Meros workshop
Geographic Center
Samarkand — Konigil village (Meros paper workshop — primary revival center)
Community / Ethnic Group
Samarkand artisan community; Meros Foundation revival program
Estimated Origin
Original tradition: 751 CE (Battle of Talas); destroyed by Mongols 1220 CE; Soviet-period suppression; revival 1995 at Meros workshop
Cultural Function
Historically: finest Islamic manuscript and official document paper; contemporary: calligraphy paper; cultural heritage revival; UNESCO Silk Road heritage
Primary Materials
White mulberry bark (Morus alba — inner bark layer); water; wooden mold and deckle; felting cloth
Primary Tools
Wooden beater; mold and deckle; felting cloth; pressing boards; own finger (three-second test)
Process Overview
Mulberry bark soaking and boiling -> inner bark separation -> fiber beating -> three-second fingerprint test -> pulp vat dilution -> mold dipping (angle) and lifting (horizontal) -> felting cloth pressing -> drying
Traditional Applications
Historical: finest Islamic manuscript paper; contemporary: calligraphy paper; cultural heritage
Contemporary Applications
Calligraphy; artist paper; cultural tourism; museum acquisition; cultural identity
Notable Practitioners
Meros Foundation workshop — Konigil village, Samarkand; approximately 10 active Samarkand paper makers; Zarnigor Tursunova — revival master
Key References
Meros Foundation documentation; UNESCO Silk Road heritage records; Bloom, J. (2001). Paper Before Print: The History and Impact of Paper in the Islamic World
Verification Status
Verified

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