Saudi Arabia · Painting & Manuscript Arts

Islamic Illumination and Geometric Pattern Construction (Tazhib)

Tazhib (تذهيب, from the Arabic for gold; Turkish tezhip)

The illumination of pages with gold and color on a framework of geometric pattern drawn by hand with a two-legged compass and a straight ruler. A design starts from a single circle, which is divided into regular polygons, then stars, a sub-grid and finally the full pattern, a sequence practitioners often work through as a series of 'progressional' drawings. Gold leaf is crushed with gum arabic into a fine paste, sieved through silk, brushed on and burnished with an agate-tipped tool until it shines. The discipline passes from master to student; in the Istanbul tradition the highest stage is the ijaza (Turkish icazet), the master's license to practice and teach illumination. In Saudi Arabia it is practiced in Jeddah by artists trained in these lineages abroad, notably Dana Awartani, who studied illumination with masters in Istanbul and geometry at the Prince's School of Traditional Arts in London. The Ottoman-Turkish lineage of this art is documented separately as CRAFT-2938.

Risk level: Vulnerable · The art of illumination (Təzhib / Tazhib / Zarhalkori / Tezhip / Naqqoshlik) was inscribed on the UNESCO Representative List in 2023 by Azerbaijan, Iran, Tajikistan, Türkiye and Uzbekistan; Saudi Arabia is not a party to that inscription.

Alternate Names
Tezhip; Islamic manuscript illumination; Islamic geometric pattern; sacred geometry
Geographic Center
Jeddah, Saudi Arabia (practice); training lineages in Istanbul and London
Community / Ethnic Group
Illuminators (Arabic muzahhib; Turkish müzehhip), a small group of practitioners in Saudi Arabia trained through master-student lineages abroad
Estimated Origin
Illumination of Qur'ans and other manuscripts developed across the Islamic world over many centuries; geometric pattern as a devotional art emerged more than 1,000 years ago. In Saudi Arabia this trained practice is documented from the 2010s.
Cultural Function
Devotional and contemplative: geometry is read as an expression of divine unity (tawhid), and practitioners describe the work as a form of prayer and remembrance (dhikr). Traditionally it frames and honors sacred and literary texts; contemporary practitioners also carry the method into paintings, objects and installations.
Primary Materials
Gold leaf (18, 22 or 24 karat) ground with gum arabic; paper; pigments, including pigments made from natural sources
Primary Tools
Two-legged compass; straight ruler; fine brushes; agate-tipped burnisher (Turkish mühre)
Process Overview
Plan the layout → construct the geometry with compass and ruler from a central circle (circle → polygon → star → sub-grid → pattern) → transfer and refine the design → prepare gold paste and pigments → lay gold and color in layers → burnish the gold with agate → finish.
Traditional Applications
Illumination of Qur'ans, calligraphic panels, manuscripts and miniatures
Contemporary Applications
Paintings, illuminated works, sculpture and installations exhibited internationally, including biennales in Venice, Marrakech and Kochi
Notable Practitioners
Dana Awartani (born 1987, Jeddah), Saudi artist of Palestinian descent: BA in fine art, Central Saint Martins (2009); MA in traditional arts, the Prince's School of Traditional Arts, London (2011); studied illumination with masters in Istanbul, working toward the ijaza. Her later installations, including darned, medicinally dyed silk shown at the 2024 Venice Biennale, build on this training; she represents Saudi Arabia at the 2026 Venice Biennale. Works in the British Museum and the Hirshhorn Museum.
Key References
Wikipedia, 'Dana Awartani'; Kieron Monks, 'Dana Awartani and the universal language of sacred geometry', CNN, December 2016; Paul Marchant, 'Polishing the Mirror: The Artistic Journey of Dana Awartani', essay for The Silence Between Us, Maraya Art Centre, 2018 (danaawartani.com); Türkiye'nin Ustaları, 'Art of illumination (tezhip)'; Istanbul Tarihi, 'Tezhip art in Istanbul'; UNESCO Intangible Cultural Heritage, 'Art of illumination' (2023 inscription)
Verification Status
Desk-Researched — Needs Practitioner Verification

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