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The Depository documents 14 techniques in Uzbekistan; by risk level: 7 critically endangered, 6 endangered, 1 vulnerable. Each record opens with a public summary; the full research record is free to view once registered.
Adras (Адрас) is the second major Uzbek ikat tradition — using a silk warp resist-dyed with the abr technique woven against a plain cotton weft.
Atlas (Атлас) is Uzbekistan's pure silk warp ikat — the most technically demanding of the three Uzbek ikat traditions, using a warp resist-dyeing system called abr (cloud) in which the silk warp threads are bound in a specific sequence…
The knotting of pile carpets on horizontal or vertical looms in Baysun district, Surkhandarya Province — a region whose distinctive cultural heritage, including its carpet-weaving tradition, was proclaimed a UNESCO Masterpiece of the Oral…
Kigiz (Кигиз) is the Uzbek felt tradition — distinct from the Kyrgyz shyrdak (mosaic felt) and the Mongolian esgii (CRAFT-0605) in using a specific rolling technique with a chiy (reed mat) as the rolling base and a log or pole as the…
Shoyi (Шойи) is the plain Uzbek silk textile — the foundational silk fabric from which ikat and zardozi traditions develop, and important in its own right as the base cloth for embroidery and as a prestige fabric in plain form.
Bukhara zardozi (Зардўзи — Persian: 'gold needle') is the Uzbek tradition of embroidering gold and silver thread onto velvet, silk, or cotton base cloth — producing the ornate robes (chapan), caps (doppi), and wall hangings that were the…
Suzani (Сузани — Persian: 'needle') is the large decorative embroidery panel that was the centerpiece of a Uzbek bride's trousseau — produced by the bride, her mother, and female relatives working simultaneously on separate panels of the…
Chust (Чуст) in the Namangan Region is Uzbekistan's primary knife-making center — producing the traditional pichok (пичоқ), the short single-edge knife that is the most common everyday tool and gift object in Uzbek culture.
Mis-gari (мисгарлик — copper work) is the Uzbek tradition of producing engraved and repoussé copper vessels — trays, bowls, ewers, and samovars — that were the standard household prestige objects of the Silk Road city.
Gijduvan (Гиждувон) in Bukhara Province is Uzbekistan's second major ceramics tradition — distinct from Rishtan blue-and-white (CRAFT-0689) in using a terracotta body with a specific stamp decoration system rather than painted cobalt.
Rishtan (Ришton) in the Fergana Valley is Uzbekistan's primary ceramics center — producing the blue-and-white glazed earthenware that is the visual signature of Uzbek decorative art.
Khiva (Хива) in the Khorezm region is Uzbekistan's primary center of architectural wood carving — producing the elaborately carved wooden columns (ustun), doors (eshik), and ceiling panels that define the interiors of the UNESCO World…
Samarkand paper (Самарқанд қоғози) was the finest paper in the medieval Islamic world — mentioned by Arab geographers as early as 751 CE following the Battle of Talas, when Chinese papermakers captured by Arab forces introduced the…
The making of traditional Uzbek theatrical puppets — glove puppets (qol qoghirchoq), string marionettes (ip qoghirchoq), and puppets of varying scale (mayda qoghirchoq, small; katta qoghirchoq, large) — for a puppet theater tradition…