Bahamas · Crepe-paper and cardboard parade costume construction

Bahamian Junkanoo Costume Making

Junkanoo

The year-round hand-construction of elaborate, large-scale crepe-paper and cardboard costumes worn by competing groups in Nassau's Boxing Day and New Year's Day Junkanoo parades — the Bahamas' signature national cultural festival. Costumes are built by pasting thousands of individually cut and fringed crepe-paper pieces onto cardboard-and-wire frame structures, with elite competition-grade pieces the product of months of group labor. Junkanoo and straw work were the two Bahamian traditions specifically cited by UNESCO in its 2014 designation of Nassau as a Creative City of Crafts and Folk Arts. This is genuinely distinct from the Jamaican Jonkonnu/Jankunu masquerade tradition already documented in this archive (CRAFT-2061) — while both share a common Caribbean Christmas-masquerade root, the Bahamian form centers on large-scale group costume and float construction using crepe paper and cardboard rather than Jamaica's hat-and-headdress-based individual masking tradition.

Risk level: Stable · Not Applicable as a direct ICH inscription for the specific costume-construction craft, though Nassau's designation as a UNESCO Creative City of Crafts and Folk Arts (2014) specifically names Junkanoo as one of its two defining cited traditions

Geographic Center
Nassau, New Providence, with the parade route along Bay Street; associated group workshops ('shacks') operate island-wide
Community / Ethnic Group
Bahamian community
Estimated Origin
Rooted in the broader Caribbean Christmas-season masquerade tradition shared with Jamaica's Jonkonnu (CRAFT-2061) and other regional variants, adapted into its distinctively Bahamian large-scale competitive costume-and-parade form
Cultural Function
The Bahamas' preeminent national cultural festival and a defining expression of Bahamian creative and community identity, explicitly credited by UNESCO's Creative Cities Network designation with having 'a significant positive impact on the development and preservation of the country's indigenous arts and crafts'
Primary Materials
Crepe paper, cut and fringed into thousands of individual decorative pieces; cardboard, forming the costume's structural base
Primary Tools
Scissors, for cutting and fringing crepe paper; paste/glue for adhering paper to the cardboard-and-wire frame
Process Overview
A cardboard-and-wire costume frame is constructed, then built up with thousands of individually cut and fringed crepe-paper pieces pasted in dense, layered patterns to create the costume's finished decorative surface — a months-long group ('shack') production process culminating in Nassau's competitive Boxing Day and New Year's Day parades.
Traditional Applications
Christmas-season (Boxing Day and New Year's Day) competitive masquerade parade performance
Contemporary Applications
Continued major annual competitive parades in Nassau; Junkanoo-themed craft souvenirs (masks, prints, beaded decorations) sold at craft markets and centers island-wide; a documented influence on Bahamian fine art (e.g. painter Brent Malone's Junkanoo-inspired work)
Notable Practitioners
Jackson Burnside, described as 'the late master of Junkanoo,' founder of Doongalik Studios (with wife Pam) to promote local culture, art, and heritage; Quentin 'Barabbas' Woodside, documented Junkanoo group leader ('Junkanoo World'); Arlene and Silbert Ferguson, documented leaders of the Junkanoo-adjacent group 'Educulture'
Key References
UNESCO, 'Nassau - Creative Cities Network'; Tru Bahamian Food Tours, 'Top 5 Shops In Nassau For Bahamian-Made Souvenirs'; The Wander Club, '10 Bahamas Souvenirs That Capture The Island Spirit'; Creative Nassau, 'Nassau: City of Crafts and Folk Arts'
Verification Status
Desk-Researched — Needs Practitioner Verification

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