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The Depository documents 6 techniques in Bahamas; by risk level: 4 vulnerable, 2 stable. Each record opens with a public summary; the full research record is free to view once registered.
A distinctively Bahamian adaptation of Indonesian wax-resist batik, made entirely by hand on Andros Island using stamps carved from locally harvested sea sponge — themselves shaped into organic Bahamian motifs (conch shells, hibiscus…
The year-round hand-construction of elaborate, large-scale crepe-paper and cardboard costumes worn by competing groups in Nassau's Boxing Day and New Year's Day Junkanoo parades — the Bahamas' signature national cultural festival.
The hand-carving of local Bahamian hardwoods — including wild tamarind, horse flesh, lignum vitae, yellow wood, and mahogany — into figurative sculpture, marine-life pieces, and portraits of Bahamian cultural icons, described by…
A self-taught outsider-art painting tradition founded by Amos Ferguson (1920–2009), a Nassau house painter who took up fine art in his 40s after his nephew George described a dream in which Jesus told him Ferguson was 'wasting his talent.'…
The cutting, carving, and polishing of queen conch (Strombus gigas) shells into jewelry, decorative sculpture, and functional objects such as bowls, prized for the shell's distinctive creamy-white base and soft pink interior coloration.
The hand-plaiting of silver top palm leaf and sisal fiber into named traditional patterns — including peas 'n rice, Bahama Mama, Jacob's ladder, sour sop, pineapple, and fish pot — subsequently woven or sewn into baskets, hats, bags, and…