Portugal · Textile conservation; Supplement record; Portuguese heritage
Conservação e Restauro do Tapete de Arraiolos
A supplement record documenting the conservation and restoration of historic Arraiolos carpets — the assessment and repair sequence performed by the conservadora before any restoration work. Complementing the Arraiolos carpet weaving record (CRAFT-1109), this record documents the diagnostic intelligence of the Arraiolos tradition: reading the existing carpet's stitch density; warp condition; color loss; and structural damage before any repair stitch is made. The conservadora reads the damage pattern by a combination of transmitted light; raking light; and the same pop/scrape/silent test (CRAFT-1109) applied to the existing stitches to assess their residual structural integrity.
Risk level: Vulnerable · Same as CRAFT-1109
The making of burel — a dense, felted wool cloth traditionally woven by shepherds in the Serra da Estrela region of Beira Baixa for cold-weather capes and blankets, and now revived as a contemporary design material.
The sun-drying of figs and the processing of almonds in the Algarve — the basis of the region's traditional sweets (doce fino algarvio), most famously the elaborate marzipan-based confections shaped as fruits and vegetables, and the figo…
Willow basketry from the Azores, particularly São Miguel island, using locally cultivated willow adapted to the archipelago's volcanic soil and humid Atlantic climate — a tradition distinct from mainland Portuguese and Spanish wickerwork…
The making of Vinho Verde — Portugal's most distinctive regional wine style, named not for color but for its youthful character (verde meaning 'green' in the sense of unripe or young), traditionally grown on tall pergolas (enforcados) that…
The casting of bronze church bells in the traditional Portuguese sand-mold founding method, concentrated in a small number of specialist foundries supplying bells for the country's extensive network of parish churches, monasteries, and…
The making of Queijo de São Jorge — a firm, sharp, well-aged cow's milk cheese from São Jorge island in the Azores, made using a technique brought by Flemish settlers in the 15th century and adapted to the island's distinct volcanic…
Haebaru hanaori (南風原花織) is the figured weaving of Haebaru Town, Okinawa's largest weaving center, woven there since the Meiji era alongside the town's Ryukyu kasuri.
Moirangphee is the traditional handwoven shawl of the Meitei people of Manipur, woven on a body-tension loin-loom using locally grown cotton (originally) and mulberry silk.
Muga silk is the only naturally golden-colored wild silk in the world, produced exclusively in Assam from the semi-domesticated silkworm Antheraea assamensis, which feeds on Som (Machilus bombycina) and Sualu (Litsaea polyantha) trees.
The repair of holes, tears and worn areas in fine cloth so that the damage disappears: the darner matches the weave, rebuilds the warp with a needle and then weaves the weft back in, so the mend reads as plain cloth.
Menggerus is a Malay textile finishing technique that burnishes woven cloth — most often songket, batik, or tenun — to a smooth, lustrous surface using cowrie shell (siput gerus), soap-nut (buah lerak), starch (kanji), damar resin, and…
Tenunan Dastar is a Sabah weaving tradition believed to originate from Kota Batu (Cotabato) in the Philippines and brought into Kampung Merabau, Kota Belud, Sabah.