France · Ceramic arts; Provençal folk craft; Contemporary art ceramics
Poterie de Vallauris
Earthenware pottery from Vallauris — the Côte d'Azur town that was a medieval pottery center and became globally famous when Picasso worked there from 1947 to 1955, transforming the local craft industry. The Vallauris tradition spans two traditions: the pre-Picasso vernacular earthenware (tians; daubières; cooking vessels) and the post-Picasso contemporary art ceramic. Both use the distinctive local red clay and both share the same wood-firing tradition.
Risk level: Vulnerable · Not listed
A contemporary studio practice by Karine, working as La Dentellière de Carton near Mougins on the French Riviera.
The flat-table screen printing of silk fabric in Lyon — a tradition that developed alongside weaving as an alternative and complementary method of decorating silk.
The preparation of silk warp on the ourdissoir (warping drum or frame) before threading the loom — the first step in producing Lyon silk fabric.
The embroidery of silk fabric — primarily the tambour stitch (crochet de Lunéville) technique used to apply sequins, beads, and silk thread to silk ground fabric for haute couture.
The finishing of woven and printed Lyon silk fabric — including calendering (passing through heated rollers to produce luster); decatizing (steam pressing to stabilize dimensions); and historically silk weighting (adding metallic salts to…
The dyeing of silk yarn and fabric in Lyon — a tradition as old as the weaving itself, carried out in the teintureries of the Croix-Rousse and riverside workshops.
A thousand-year-old Tonalteca ceramic tradition producing unglazed, stone-polished pottery in several distinct finishing styles — bruñido (burnished), petatillo (fine cross-hatching resembling a woven straw mat), bandera (red-white-green),…
Wheel-thrown and hand-modeled earthenware from Barcelos (Minho) — the tradition that produced the Galo de Barcelos (Rooster of Barcelos), the most universally recognized symbol of Portugal internationally.
The hand-building, sun-curing, and open-fire firing of clay cooking pots in the village of Kpeyi, Liberia, documented in precise technical detail through direct 1968 field observation.
Goryeo celadon (cheongja) is the Korean ceramic tradition that produced, between the 10th and 14th centuries, some of the most technically and aesthetically remarkable ceramics in world history — praised by Chinese Song Dynasty observers…
Khmu hand-built pottery (ດິນຂະມຸ din khmu) is the oldest ceramic tradition in Laos — predating Lao Loum settlement of the Mekong Valley — and one of the most technically minimal: pots are formed entirely by coiling and hand-smoothing, with…
The hand-coiling and firing of qvevri, the large egg-shaped clay vessels at the center of a Georgian winemaking tradition documented archaeologically to roughly 6000 BCE — among the oldest continuously practiced winemaking technologies on…