Ireland · Textile weaving; Linen weaving; Irish heritage
Línéadach Uladh — Traidisiún Líon na hÉireann
The Ulster linen weaving tradition of Northern Ireland and the Irish border counties — the production of the distinctive fine Irish linen cloth from locally grown flax whose specific wet-spinning technique, double-damask weave capability, and hand-finishing quality made Irish linen the finest linen in the world at its 17th–19th century peak. The Irish linnseach reads the correct thread quality through a draw-and-twist assessment — drawing a linen thread and reading the specific twist resistance that indicates correct wet-spun flax fineness.
Risk level: Endangered · Not listed; Irish linen on the Irish and Northern Irish national heritage inventories
The Donegal tweed weaving tradition of Northwest Ireland — the production of the distinctive Irish handwoven woolen cloth whose characteristic random fleck of contrasting color in the warp and weft (the Donegal slub) creates the most…
The Irish lace making tradition — two distinct Irish lace traditions: Carrickmacross (appliqué and needlerun muslin on net, Monaghan County) and Limerick (tambour and needlerun on net, County Limerick), both developed during the 19th…
The Irish whiskey distilling tradition — the production of the distinctive Irish whiskey through triple pot still distillation of a mash containing unmalted barley (the specific Irish contribution to world whiskey production that…
The Irish sally rod basketry tradition — the production of the distinctive Irish wicker baskets from the sally rod (Salix viminalis — the Irish basket willow) whose specific Atlantic coastal climate produces a willow with particular…
The Irish dry stone walling tradition — the building of the distinctive Irish field walls without mortar (particularly the Burren limestone pavements and the Aran Islands gray limestone field system) using the specific Irish random rubble…
The Irish bodhran making tradition — the production of the distinctive Irish frame drum from a single goatskin stretched over a circular wooden frame, whose specific skin tension determines the playing range and tone quality of the…
Pedal-loom wool weaving producing the ruana and cobija — a poncho-like wrap and a heavier double-faced woolen blanket-cloak — worn since the colonial era as the defining garment of Venezuela's Andean cordillera (Mérida, Táchira, and…
A distinct Andean weaving tradition of the Kallawaya people, itinerant herbalist healers of Bautista Saavedra province, La Paz department, whose textiles are woven with detailed figurative motifs of regional flora and fauna reflecting the…
Thangka painting is the sacred Buddhist icon painting tradition of Tibet, executed in mineral and precious stone pigments on sized cotton or silk, mounted on silk brocade, and used as portable devotional objects in Buddhist practice.
Two distinct pictorial weaving traditions from south-central Bolivia, produced on backstrap and vertical looms by Jalq'a and Tarabuco (Yampara) weavers of Chuquisaca and Potosí departments.
The Maká people, settled at the Colonia Fray Bartolomé de las Casas — a 335-hectare community occupying an island in the Río Paraguay, facing the settlement of Zevallos-Cué near Asunción's Botanical Garden and Zoo — are documented as…
A twined-weaving tradition using a distinctive long-shafted, large-diameter spindle whorl often carved with transformative crest imagery, producing blankets historically woven from the wool of a now-extinct domesticated Salish wool dog,…