Tembaga Terengganu / Pertukangan Tembaga
Terengganu Brassware is the royal court brassworking tradition of Terengganu — producing ceremonial vessels, household objects, and architectural fittings from brass (tembaga) using casting, hammering, and engraving techniques. The tradition is concentrated in Kuala Terengganu and reflects Terengganu's position as a significant Malay Sultanate trading port with connections to Indian, Chinese, and Arab metalworking traditions. Terengganu brassware is particularly known for its ceremonial water vessels (kendi tembaga), serving trays (talam tembaga), and elaborate incense burners (pedupaan) — objects that appear at every major Malay ceremony. The engraving vocabulary (Islamic arabesque, local floral forms) is worked entirely from the craftsperson's memory — no paper templates for court-quality pieces.
Risk level: Critically Endangered · Not inscribed
Gong making in Sabah, centered on Kampung Sumangkap near Kudat, where about 30 makers produce gongs from iron, brass and copper — including kulintangan, canang and other ensemble gongs — as well as small souvenir gongs.
The sompoton is the mouth organ of Sabah, played by Kadazan-Dusun and Murut communities.
The lepa is the traditional boat of the Sama-Bajau of Semporna, Sabah.
The Kadazan-Dusun — the largest indigenous group in Sabah — produce a distinctive black velvet and gold brocade textile tradition for ceremonial dress during Kaamatan (harvest festival) and other occasions.
The hand embroidery (sulam) that decorates the Nyonya (Peranakan) kebaya, a sheer voile or organdie blouse hand-sewn from five panels.
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The Georg Jensen silversmithing tradition — the Copenhagen silver house established 1904 by Georg Jensen whose specific combination of organic Art Nouveau forms with Scandinavian simplicity created the defining Danish modern silver…
The setting of natural, undrilled-oyster Bahraini pearls into 18 to 21 karat gold jewelry, formally documented as its own distinct craft domain, Pearl Jewelry, within Bahrain's official UNESCO Intangible Cultural Heritage inventory, and…
Banjar goldwork is the traditional goldsmithing tradition of the Banjar people of South Kalimantan — producing jewelry of extraordinary delicacy using granulation, filigree, and repoussé techniques in fine gold (22–24 karat).
The Mandau is the traditional long-bladed weapon of the Dayak peoples of Kalimantan — a single-edged slashing blade 50–70cm long with a characteristic gentle curve, made from iron or steel, with a handle of carved deer antler or hornbill…
Bastar iron craft is the traditional blacksmithing and decorative metalwork tradition of the Lohar (blacksmith) community of Bastar division, Chhattisgarh, practiced in the dense forested region historically governed by the Bastar kingdom.
Bastar Dokra is the lost-wax (cire perdue) bronze casting tradition of the Ghadwa community of Bastar, Chhattisgarh — one of two major Indian Dokra traditions, the other being the West Bengal/Odisha variant (CRAFT-0060).