Costume Tradizionale Sardo
The making of Sardinian traditional costume — one of the most complex and regionally differentiated in Italy, with over 360 distinct local variants — involving weaving, embroidery, sewing, and accessory making in a system where every village has a different color code, cut, and decoration, making costume the primary external identifier of geographic and social identity.
Risk level: Vulnerable · No listing; proposed for Italian ICH list
A tradition of basket and wicker weaving from Trentino using willow (vimini) from cultivated osier beds in the Adige valley and rush (giunco) from Alpine wetlands — producing agricultural baskets, domestic containers, and decorative wicker…
A tradition of decorative wrought ironwork in Friuli-Venezia Giulia — producing gates, balconies, candelabra, and architectural ironwork in forms that reflect the region's layered Celtic, Roman, Venetian, and Central European influences —…
A family of embroidery traditions from Abruzzo — including the distinctive black embroidery (ricamo nero) of Pescocostanzo worked in black silk on white linen creating geometric and figurative designs, and the polychrome costume embroidery…
A family of bobbin lace traditions from the pre-Alpine and Alpine Lombardy areas — particularly Cantù (Como province) and Bergamo — producing fine lace in floral and geometric patterns that bridged the northern European bobbin lace…
A tradition of tin-glazed earthenware from the volcanic landscape north of Rome — Viterbo, Civita Castellana, and the Monti Cimini area — producing maiolica that reflects the region's Etruscan, Roman, and Renaissance ceramic heritage,…
The making of traditional Adriatic fishing boats and small craft in the Trieste and Friuli coastal area — including the bragozzo (flat-bottomed lateen-rigged fishing boat), the topo (smaller fishing vessel), and the sandolo (flat-bottomed…
The Kandyan dance costume (udum pirivetha) is one of the most elaborate performance costumes in South Asia — featuring a tiered silver headdress (ves) of eighteen elements, a silver breastplate (etapata), arm ornaments (valagediya),…
The construction of the boi — the ox costume at the center of Bumba Meu Boi, Maranhão's ritualistic folk-theater complex blending music, dance, and Afro-Indigenous-Catholic spirituality — built over a wooden and leather frame worn and…
The year-round hand-construction of elaborate, large-scale crepe-paper and cardboard costumes worn by competing groups in Nassau's Boxing Day and New Year's Day Junkanoo parades — the Bahamas' signature national cultural festival.
The props used in Khmer Royal Court Dance (Robam Preah Reach Trop) include ceremonial fans (sloeuk rompheap), floral garlands (phka), and ritual objects held by specific character types — all made by specialist prop makers who serve the…
The carving of wood and straw masks and full-body costume structures by initiated men of the Nyau brotherhood, a secretive society of the Chewa people extending throughout central and southern Malawi and into contiguous areas of…
Sbek Touch (សបែកតូច — 'small hide') is Cambodia's second shadow puppet tradition — distinct from the large UNESCO-inscribed Sbek Thom (CRAFT-0511) in both scale and technique.