Eritrea · Textile / Basketry

Nara Kunti Palm-Leaf Basketry

Kunti (the plaiting/weaving art itself); named products include kenta (multipurpose mat, with fine lahet and coarse wongaal grades), sawa (multiuse tray/serving dish), shekafe (handleless grain-storage basket), sufaal (food-storage item, softer than sawa), habita (also shukurbet, a tubular granary), sugga (a larger grass-woven granary), jembil (open basket for carrying crops), kulkot, mela, and shengela (smaller personal-item baskets), suma (rope), hole (baby cradle), and kafer (woven milk bowl)

The plaiting (kunti) of young palm tree leaves, reeds, grass, and sorghum stalks into an exceptionally diverse range of functional and decorative household objects by women of the Nara people, a small (approximately 1.5% of national population) Nilo-Saharan-speaking ethnic group of Eritrea's Gash Barka region, traced by oral tradition and linguistic evidence to Nilo-Saharan farming and animal-rearing ancestors who migrated from the Nile Basin roughly 10,000 years ago. Kunti is documented as exclusively women's work, with men only occasionally assisting in fetching raw materials or making auxiliary accessories such as ropes and straps. Young palm tree leaves are cut, spread on the ground, and sun-dried for several weeks before being split into individual strand reeds using a pointed wood, small knife, or needle -- strand width varying by intended product, with the finest kenta grade (lahet) requiring strands as narrow as approximately 5mm, while the coarsest grade (wongaal) uses full, unsplit reeds. Strands are plaited into rolls, then woven together with a needle into the intended flat, tubular, or bowl-shaped final form. The finest lahet mats -- decorated with artificial pigment and featuring intricate geometric patterns specifically reserved for married people, with central squares believed to symbolize fertility -- are given as valued wedding gifts, made only by the most skilled weavers. The Nara woman is specifically credited by Nara ethnographic scholarship as among the first pioneers of palm-leaf plaiting in Eritrea.

Risk level: Critically Endangered · Not independently inscribed

Alternate Names
Not documented under other names
Geographic Center
Gash Barka region (former Gash and Setit Province), western Eritrea, with Barentu as a main regional urban center
Community / Ethnic Group
Nara people
Estimated Origin
The Nara people are traced by oral tradition and linguistic evidence to Nilo-Saharan farming and animal-rearing peoples who migrated from the Nile Basin to present-day Eritrea approximately 10,000 years ago; the specific origin of the kunti plaiting art itself is not precisely dated, though scholarship suggests it likely began among forest-dwelling peoples of the hot lowland climate where the raw palm-leaf material is abundant
Cultural Function
Kunti products serve wide-ranging domestic functions -- bedspreads, hut roofing, fencing, food storage and serving, harvest processing (separating chaff from crops), infant care (the hole cradle), and liquid storage (the kafer milk bowl) -- while also carrying specific symbolic and ceremonial meaning; the finest lahet mat grade is specifically reserved for married people and is a valued wedding gift, its intricate geometric patterns and central squares believed to symbolize fertility; basketry more broadly is documented as historically a functional, non-commercial domestic craft that has increasingly become a valuable contemporary income source for Nara families, particularly in western Eritrea where raw material is abundant
Primary Materials
Young palm tree leaves
Primary Tools
A pointed wood, small knife, or needle, used to split dried palm leaves into strands and to weave completed strand rolls together
Process Overview
Cut young palm tree leaves and sun-dry them for several weeks, then split the dried leaves into individual strands using a pointed wood, small knife, or needle, with strand width varied by intended product -- narrow (approximately 5mm) for the finest lahet mat grade, full unsplit reeds for the coarse wongaal grade; plait the strands into rolls and weave them together with a needle into the intended flat, tubular, or bowl-shaped final form -- kenta mats, sawa serving trays, shekafe grain baskets, habita tubular granaries, jembil carrying baskets, suma rope, the hole baby cradle, and the kafer woven milk bowl among the documented named products -- a palm-leaf plaiting tradition (kunti) exclusively practiced by Nara women of Eritrea's Gash Barka region, with the finest lahet mat grade, decorated with fertility-symbolizing geometric patterns, reserved specifically as a wedding gift for married couples.
Traditional Applications
Bedspreads, hut roofing, fencing, food storage and serving, harvest chaff-separation, infant cradling, liquid (milk) storage, wedding gifts
Contemporary Applications
Continued domestic use alongside an increasingly significant contemporary commercial market, with basketry becoming a valuable income source for many western Eritrean families given locally abundant raw material
Notable Practitioners
No individually named contemporary weaver documented in available sources at the level of specificity required; the craft's documentation itself is directly credited to Issa Adem Hamid, Head of the Department of Eritrean Languages and Literature, Adi-Keih College of Arts and Social Sciences, Eritrea -- a member of the Nara ethnic group himself -- co-authoring with Dr. Basanta Kumar Mohanta, Assistant Professor and Head, Department of Anthropology and Archaeology, Adi-Keih College of Arts and Social Sciences
Key References
Hamid, Issa Adem, and Basanta Kumar Mohanta. 'Perspective of Conservation of Traditional Crafts in Eritrea (Africa): A Case of the Nara Handicraft.' Anthropos India, Vol. 3, No. 1, January-June 2017, pp. 163-182 (peer-reviewed academic journal, published by B.R. Publishing Corporation in association with Sanskriti - North Eastern Institute of Cultural Research)
Verification Status
Desk-Researched

More from Eritrea

  • Eritrean Boon Single-Spout Jebena Coffee CeremonyFood, Drink & Botanical · Thriving

    The roasting, grinding, and multi-round brewing of coffee by Eritrean women in a structured hospitality ceremony sharing deep historical roots with, but technically and terminologically distinct from, the neighboring Ethiopian coffee…

  • Nara Asso-Tanned LeathercraftLeatherwork · Critically Endangered

    The tanning and working of animal hide into an extensive range of functional and ceremonial leather objects by artisans of the Nara people of Eritrea's Gash Barka region, using asso, a plant-bark-derived tanning agent, to cure and preserve…

  • Tigrinya Zuria Cotton Weaving with Mekab Cross-Stitch EmbroideryEmbroidery & Lace · Vulnerable

    The hand-weaving of white cotton into the zuria, a long ceremonial dress, followed by mekab, a counted-thread cross-stitch embroidery technique applied to its borders in precise geometric grids, practiced by Tigrinya weavers and…

  • Eritrean Open- and Closed-Firing Hand-Built PotteryCeramics & Pottery · Endangered

    The hand-building and firing of unglazed clay pottery by women potters at traditional pottery-production centers across Eritrea, using two distinct documented techniques: an older open-firing method and a later-developed closed-firing…

  • Rashaida Burqa Silver-Beaded Veil EmbroideryEmbroidery & Lace · Vulnerable

    The metallic-thread embroidery, seed-pearl and silver-adornment application, and construction of the burqa, a heavy, opaque facial veil worn by Rashaida women of Eritrea's Northern Red Sea and Gash Barka regions, alongside the vibrant,…

All techniques in Eritrea →

Related basketry & woven fiber elsewhere

  • Nahuizalco Tule & Mimbre (Wicker) WeavingEl Salvador · Vulnerable

    A natural-fiber weaving tradition of Nahuizalco, one of El Salvador's principal Nahuat Pipil communities, using tule — a wetland rush torn into uniform palm-like strips — and mimbre (wicker) to produce petate sleeping mats, baskets, hats,…

  • Tsugaru Kumihimo Plant-Dyed Silk BraidingJapan · Vulnerable

    Braided silk cord made on a braiding stand (kumidai) in the Goshogawara and Kanagi area of western Aomori Prefecture, dyed with apple bark, leaves and flowers and with indigo.

  • Haitian Pate de Coque Straw Weaving and Makout Satchel MakingHaiti · Vulnerable

    The weaving of bamboo or straw strips into mesh-pattern baskets, mats, rope, cord, hats, and the traditional makout satchel — a woven carrying bag long used by Haitian market women and rural farmers.

  • Azores WickerworkPortugal · Endangered

    Willow basketry from the Azores, particularly São Miguel island, using locally cultivated willow adapted to the archipelago's volcanic soil and humid Atlantic climate — a tradition distinct from mainland Portuguese and Spanish wickerwork…

  • Andean Khipu Knotted-Cord Record MakingPeru · Endangered

    The making of khipus: cords of spun and plied cotton or camelid (llama, alpaca) fiber, tied together and knotted to record information.

  • Nantucket Lightship Basket MakingUnited States · Vulnerable

    A distinctive rattan and cane basketry tradition woven over a wooden mold with a solid turned wood base, developed by bored crewmen stationed for weeks at a time aboard the Nantucket Shoals lightship from the mid-19th century, later…

All basketry & woven fiber techniques →