Uruguay · Coiled natural fiber and upcycled sheepskin accessory craft
No single standardized term documented
Fashion accessories made from natural raw materials and upcycling that draw on Uruguay's gaucho and maritime traditions: a coiled straw or rush bag with a polished horn handle, dense woven sheepskin totes, and a sheepskin backpack with a coiled straw base and leather straps. The documented practitioner, Raquel Nicolich (working as SouthWool), describes the project as 'mayoritariamente social' (predominantly social) in both its raw materials and its working conditions.
Risk level: Vulnerable · Not Applicable — no UNESCO Intangible Cultural Heritage inscription exists for this craft at time of writing
Jewelry made from recycled silver set with native Uruguayan stones, chiefly amethyst quartz and agate, each piece produced and signed by an individual member artisan.
A braided-cord embroidery technique originating in mid-18th-century French military and court costume decoration, in which flat, herringbone-woven soutache cord is hand-stitched with invisible stitches around beads and cabochon stones to…
Carving and reshaping antique silver flatware (spoons and forks) into one-of-a-kind rings with floral relief, set with cabochon stones such as moonstone-toned stones and turquoise; the upcycling technique is also documented in Spain and…
A contemporary Uruguayan jewelry technique in which artisan Natalia Cantarelli winds mixed fibers (wool, cotton, ribbon) around a wire or cord armature to build a small tapestry-like wrapped coil, then layers hand-embroidered floret motifs…
Hand-knitted garments (long cardigans, wide wraps, cowl-neck sweaters) worked in yarn with sweeping color gradients that shift smoothly from turquoise through magenta to golden orange within one continuous piece, or subtly across reds and…
Dolls and decorative figures made from discarded denim, hand-embroidered with dense freeform floral, animal and abstract designs before the cut pieces are assembled and stuffed: jointed rag dolls with fabric-patch clothing, standing…
The hand-weaving of baskets, mats, hats, and wall decorations from coconut husk fiber, pandanus (screw pine) leaves, and raffia by Seychellois artisans, locally known as safari.
The harvesting, dyeing, and tight-stitched coiled weaving of lutindzi grass into baskets, mats, and household objects by Swazi women of Eswatini, using a distinctive named technique -- Lavumisa -- developed in and specifically named after…
The intricate interlacing, tying, and braiding of dyed and dried palm leaves into baskets, trays, carpets, and wall decor by Afro-Libyan artisans of Tawergha, a town in northwestern Libya near Misrata historically home to a distinct…
The weaving of palm frond leaves into mats, baskets, trays, food covers, and specialized ritual objects by women across Sudan, formally documented on Sudan's own National Inventory of Intangible Cultural Heritage as Al Sa'fiyyāt, the palm…
The hand-weaving of vacoas (pandanus) and vetiver leaves into baskets, handbags, wallets, and hats, a technique mastered on the Mauritian island of Rodrigues and practiced by contemporary craftswomen including Anouchka Pierre Louis, who…
The hand-spinning, carding, dyeing, and weaving of mohair -- fiber from angora goats -- into fine curtains, blankets, carpets, and fabrics at Piggs Peak, northern Eswatini, a craft tradition founded in 1949 by Coral Stephens (born 1902,…