Not documented (Rubro listed simply as "Joyería, bijouterie y accesorios en general")
Carving and reshaping antique silver flatware (spoons and forks) into one-of-a-kind rings with floral relief, set with cabochon stones such as moonstone-toned stones and turquoise; the upcycling technique is also documented in Spain and elsewhere. In Uruguay it is documented through the jeweler Pablo Grillo, who describes each ring as unique.
Risk level: Vulnerable · Not inscribed on the UNESCO Representative List; Uruguay is a State Party to the 2003 ICH Convention
Jewelry that sets fired stoneware (gres) segments, painted with geometric and figurative motifs, into hand-fabricated silver bezels, so that the ceramic inlay, like a small mosaic, is the centerpiece rather than an accent; its makers call…
Jewelry that sets wave-worn glass fragments collected on the Montevideo coastline into silver, with a parallel line using broken antique tableware (loza), treating each damaged fragment's singularity as the point rather than hiding its…
Platería criolla — the chasing and engraving of silver into rastra belt buckles, facón knife sheaths and handles, stirrups, spurs, bit fittings, and mate implements — developed as the gaucho's own material expression of hard-won wealth…
Casting real lace directly into silver, so that a ring or cuff carries the exact negative impression of the textile: an openwork, web-like relief that carving or stamping cannot reproduce.
Textile objects made in small Uruguayan workshops by hand-knitting, embroidery and the reuse of natural and discarded materials.
Contact printing (eco-print) on natural fiber: leaves, roots and flowers, together with metal oxidation, are pressed against the cloth to stain and mark it directly rather than dyeing it by immersion, so that each garment comes out unique.
The making of the resolza — the traditional Sardinian folding knife — and the pattadese (a distinctive variant from Pattada with a myrtle-leaf blade shape) using forging, grinding, and careful heat treatment, with handles of mouflon horn,…
A fine silver jewelry and holloware tradition in a Guerrero mining town whose silver-working knowledge, cultivated by pre-colonial Mesoamerican groups and continued after Spanish colonization began mining there in the 1520s, had largely…
The forging and assembly of decorative ironwork in the Barcelona Modernisme tradition — the architectural iron railings, balconies, gates, and canopies produced for the buildings of Antoni Gaudí, Lluís Domènech i Montaner, and Josep Puig i…
A tradition of silver filigree jewelry from Sardinia — particularly elaborate pectoral ornaments (orgolo), earrings, and dress ornaments worn with traditional Sardinian costume — distinguished by its bold, architecturally complex…
Dhamrai (ধামরাই) is a township 35km west of Dhaka that has been Bangladesh's primary center of bell metal (kasa — an alloy of copper and tin at approximately 78:22 ratio) and bronze casting for centuries, producing household vessels,…
Shankhari Bazaar (শাঁখারী বাজার) — 'conch seller's market' — is one of the last surviving conch shell carving districts in the world, occupying a single street in old Dhaka where hereditary Hindu Shankhari families have carved conch shell…