Tohono O'odham basketry tradition (O'odham terminology varies)
An extremely fine miniature coiling technique using horsehair rather than plant fiber for the stitching material, developed by Tohono O'odham weavers as an innovation on older willow, yucca, and devil's-claw basketry, producing baskets small and fine enough to require close, magnified work.
Risk level: Endangered · Not Applicable — the United States is not a State Party to the UNESCO 2003 Convention for the Safeguarding of Intangible Cultural Heritage; no US technique can be formally ICH-inscribed regardless of significance.
Red earthenware pottery decorated using two related techniques — sgraffito, in which a design is scratched through a white slip coating to reveal the red clay beneath, and slip-trailing, in which liquid slip is poured freehand through a…
A distinctive Amish quilt pattern unique to Lancaster County, Pennsylvania, combining a large central diamond set within a square field of solid-colored fine wool and elaborate, densely stitched quilting patterns — a deliberately…
A colorful illuminated folk-art tradition combining an angular German blackletter script with hand-painted watercolor motifs — tulips, birds, hearts, and scrolls — used by Pennsylvania Germans primarily to create and decorate birth and…
Large-scale geometric star, sun, and moon paintings applied directly to the sides and gables of Pennsylvania German barns beginning around 1830, historically an agricultural and folk-artistic expression tied to farmers' almanac star-sign…
A sewn-plank ocean-going canoe built without internal ribs or frame, constructed from split redwood driftwood planks drilled, sewn together with plant-fiber cordage, and waterproofed with yop (a mixture of pine pitch and natural asphaltum)…
A twining-dominant basketry tradition shared by the Yurok, Karuk, Hupa, and related peoples of the Klamath and Trinity River basins, distinguished by a single-sided 'half-twist' overlay technique in which a decorative material is woven…
The weaving of baskets, mats, and fans from pandanus leaves and vine fibers, documented as overwhelmingly women's work and women's knowledge across the Solomon Islands, taught mother and grandmother to daughter over years of sustained…
The weaving of narrow-strip cotton and raffia loincloth cloth by seven distinct ethno-linguistic communities of Côte d'Ivoire — Gouro, Baoulé, Malinké, Senufo, Koulango, Nafana, and Abron — each maintaining its own specific weaving…
The Bunong (also known as Phnong) people of Mondulkiri Province maintain one of Cambodia's most technically complex basket weaving traditions — using rattan and bamboo to produce carrying baskets (khnang), rice wine jar covers, and ritual…
The hand-spinning, dyeing, and narrow-strip weaving of thick cotton cloth by Gola, Lorma (Loma), Kpelle, Vai, and related peoples of Liberia, using the distinctive tripod loom found almost exclusively in Liberia and neighboring Sierra…
The hand-painting of hand-spun, strip-woven cotton cloth with fermented mud-based and natural vegetal pigment by Senufo artists of Korhogo, northern Côte d'Ivoire, producing textiles in earthy neutral tones of brown, black, and cream…
PARTIAL RECORD BY DESIGN. The Ishir (Chamacoco) people of Alto Paraguay Department, who call themselves 'the true men' and, together with their linguistic relatives the Ayoreo, belong to the Zamuco language family, are documented by…