Russia · Stone Carving / Lapidary
Русская мозаика (Russkaya mozaika, "Russian mosaic")
A lapidary veneering technique developed at the Imperial Lapidary Works of Yekaterinburg, in which malachite — a soft, difficult stone found in the Ural Mountains in uniquely large, richly banded deposits — is sliced into veneer as thin as one to four millimeters, individually sorted and pattern-matched so its swirling bands align seamlessly across pieces, then cemented onto a stone or metal substrate and polished, producing columns, tabletops, and vases that appear to be carved from a single, continuous block of malachite despite no piece of that size ever having existed.
Risk level: Critically Endangered · Not Listed
The engraved, openwork, and relief carving of walrus ivory, seal bone, and, more rarely, mammoth and elephant ivory, developed in the 17th century in Kholmogory, a White Sea port town near Arkhangelsk in Russia's far north — a tradition…
A hand-molded clay whistle tradition of the village of Filimonovo, in Tula Oblast, whose distinctively elongated human and animal figures are a direct physical consequence of the local bluish-gray clay's own difficult behavior — it cracks…
The needlework tradition of Torzhok, on the Tvertsa River in Tver Oblast, in which women embroiderers work gold thread and, later, fine twisted gold wire (containing 5 to 8 percent actual gold) onto velvet, silk, morocco leather, and other…
Two related but visually and historically distinct lacquer-miniature painting traditions, both descended, like Palekh (CRAFT-1871), from icon-painting centers whose masters turned to secular papier-mâché box painting after the 1917…
The weaving, carving, and openwork cutting of beresta, the bark of the birch tree, one of Russia's oldest and most widespread natural craft materials — used since antiquity as a writing surface (the Slavs' oldest surviving written…
The layered painting of miniature scenes onto fired vitreous enamel in the town of Rostov Veliky, where a copper base is coated with enamel and painted with pigment in successive layers, each individually fired at roughly 800°C — a…
The carving of soft black slate into relief images of Maya deities, rulers, and ceremonial scenes, revived from a lost ancient practice by five sisters — the Garcia Sisters — of the Yucatec Maya village of San Antonio, Cayo District, after…
Hand-carving of jade (jadeite) figures, ornaments, and jewelry in Copán, Honduras, continuing a tradition documented archaeologically at the ancient Maya city of Copán, where jade was worked into finely sculpted funerary and ceremonial…
Pounamu (greenstone — New Zealand nephrite jade) is the most sacred material in Māori culture — the only gemstone of Aotearoa, found exclusively on the West Coast of Te Wai Pounamu (the South Island).
The carving of figurative and narrative sculpture from regionally sourced stone — principally serpentine from Kinngait (Cape Dorset), basalt from Arviat and Rankin Inlet, and other locally distinct stone types — developed from…
The carving of a crescent- or oval-shaped soapstone lamp burning rendered seal or other animal fat with a moss or arctic-cotton-grass wick, the primary historic source of light, heat, cooking, and clothes-drying for Inuit households across…
The carving of sandstone relief and sculpture in the Angkorian tradition, and its continuation in restoration and contemporary workshops around Siem Reap.