India · Lime Plastering; Burnished Plaster; Architectural Craft

Rajasthani Araish Polished Lime Plaster (with Thappi and Lohi base coats)

Araish (Arayish; also alagila, geela-alapadhati, morakasi); base coats thappi and lohi; kada / sareshi (rough base)

A multi-coat lime plaster of Rajasthan, finished to a hard, glossy, waterproof, marble-like surface. A rough base coat (kada or sareshi) is followed by thappi (lime and surkhi, burnt-clay powder, beaten with a wooden tool so the layers become one), a thin fine lohi coat, and finally the araish layer: fine slaked lime, marble powder and additives such as buttermilk, curd and jaggery, applied thinly and burnished by hand with an agate or a smooth stone until it shines. The surface is the ground for fresco painting on wet plaster, as in the Shekhawati havelis and Nagaur Fort. It is slow, labor-intensive work that is now rare and is being revived through restoration projects and workshops.

Risk level: Endangered · Not listed by UNESCO. No national or state heritage-craft listing was found in the sources consulted.

Alternate Names
Polished lime plaster; Indian tadelakt (marketing term); wet-lime fresco ground; chuna plaster
Geographic Center
Rajasthan: Shekhawati (Sardarshahar and others), Nagaur, Jodhpur, Bikaner and Jaipur.
Community / Ethnic Group
Lime artisans (chuna masons, mistri) in family lines; fresco painters (chitera) from the Kumhar potter community, who also worked as masons (chejara).
Estimated Origin
Not recorded. A popular article says that by the 17th and 18th centuries araish was a mark of architectural splendor in Shekhawati; the technique is described as centuries old.
Cultural Function
Status finish for palaces, temples and merchants' havelis; waterproof, cool, antibacterial surface; ground for frescoes.
Primary Materials
Slaked lime (matured putty); marble powder; surkhi (burnt-clay or brick powder); brick grit and aggregate; sand; jaggery; fenugreek (methi) seed water; buttermilk or curd.
Primary Tools
Wooden thappi tapper (beating tool); a grinding stone for the fine mix; brushes; a burnishing stone (agate or other smooth stone). Full tool list not documented.
Process Overview
Rough base coat, thappi coat, thin lohi coat, then the polished araish coat burnished with a stone; frescoes are painted on the fresh surface.
Traditional Applications
Interior walls, ceilings, floors, and palace and haveli frescoes.
Contemporary Applications
Fort and haveli restoration (Nagaur Fort, Mumbai conservation projects); high-end interiors; teaching workshops; vases and collectibles inspired by araish.
Notable Practitioners
Feizu Khan (lime master from Nagaur, 35 years in the trade, 20 years at Nagaur Fort, five generations in his family; the source's caption says Jodhpur). Abdul Razak Muwal (Bhauji Mistiry, Sardarshahar; master mason, age 68 in 2018). Dawood Ibrahim Muwal (his younger brother, Sardarshahar). All named in published interviews; confirm status and consent.
Key References
Hunnarshala Foundation, 'Finding work with lime' booklet (hunnarshala.org); Thannal, 'Plasters of Rajasthan' (2016) and 'Interview: Thappi, a marvel tool of lime' (2018); IICD Jaipur, Amber Fort report (2024) and 'The fading frescoes of Shekhawati' (2021); Indiarchitecture Rajasthani lime plaster workshop; Rooted Narratives, 'Araish' (Feb 2025); CSE, 'Wisdom to Build'.
Verification Status
Desk-Researched — Needs Practitioner Verification

More from India

  • Aipan Ritual PaintingPainting & Decorative Arts · Endangered

    Aipan is a ritual floor and wall painting tradition of the Kumaon region of Uttarakhand, executed by women using red clay (geru) ground and white rice paste (bisvar) applied by finger to create geometric and figurative designs at…

  • Ringal Bamboo CraftBasketry & Woven Fiber · Endangered

    Ringal (Himalayan dwarf bamboo, Drepanostachyum falcatum and Thamnocalamus spathiflorus) is the primary material for the traditional basketry and tool-making tradition of the hill communities of Uttarakhand.

  • Tamta Copper CraftMetalwork & Jewelry · Critically Endangered

    Tamta copper craft is the traditional coppersmith tradition of the Tamta community — the hereditary coppersmith caste of the Kumaon hills — producing utensils, ritual vessels, and decorative objects entirely from sheet copper using…

  • Lotha Naga Rongsu Shawl WeavingWeaving & Textiles · Endangered

    The Rongsu is the male prestige shawl of the Lotha Naga people of Wokha district, Nagaland.

  • Konyak Naga Ritual Shawl WeavingWeaving & Textiles · Critically Endangered

    The Konyak Naga of Mon district are the last living community in the world where tattooed headhunters are still alive (in great old age, 80s–90s) — men who earned their facial tattoos and their most prestigious shawls through headhunting,…

  • Ao Naga Sütsüpfü Shawl WeavingWeaving & Textiles · Endangered

    The Sütsüpfü is the most prestigious achievement shawl of the Ao Naga people of Mokokchung district, Nagaland.

All techniques in India →

Related architectural craft elsewhere

  • Versailles Garden Topiary and Bosquet MaintenanceFrance · Stable

    The maintenance, shaping, and renewal of the formal topiary, bosquets (grove rooms), and clipped hedges of Versailles — the most complex formal garden in the world.

  • Suffolk Reed ThatchingUnited Kingdom · Vulnerable

    The reed thatching tradition of East Anglia — the application of Norfolk reed (Phragmites australis) to create the characteristic deep, sculpted thatched roofs of the Suffolk and Norfolk countryside, the densest concentration of thatched…

  • Ile-de-France Plaster CraftFrance · Vulnerable

    Ornamental plastering using plâtre de Paris (Paris gypsum plaster) — a fast-setting calcined gypsum unique to the Paris basin — for molded cornices, ceiling roses, and decorative panels.

  • Loire Valley Troglodyte Cave Dwelling ConstructionFrance · Endangered

    Excavation and fitting-out of habitable spaces carved directly into the Loire Valley's tuffeau cliffs.

  • Balinese Bade (Cremation Tower) ConstructionIndonesia · Endangered

    The Bade is the multi-tiered ceremonial tower constructed for Balinese Hindu cremation ceremonies (Ngaben) — the most elaborate temporary ritual structure in any documented craft tradition.

  • Oualata Ma'allimat Wall Mural PaintingMauritania · Critically Endangered

    The hand-painting of white geometric, calligraphic, and figurative murals onto red banco (mud-plaster) house facades and interiors in Oualata, an isolated caravan city in southeastern Mauritania's Hodh el-Chargui region.

All architectural craft techniques →