United States · Textile / Weaving
Coast Salish weaving tradition, US territory (S'Klallam, Tulalip, and other Puget Sound Coast Salish nation terms vary)
The United States side of the cross-border Coast Salish weaving tradition (see CRAFT-1712 for the Canadian/British Columbia side), practiced by Coast Salish nations around Puget Sound and the wider Salish Sea in Washington State, using the same long-spindle spinning technique and twined-loom construction, now anchored by a dedicated multi-nation weaving center.
Risk level: Endangered · Not Applicable — the United States is not a State Party to the UNESCO 2003 Convention for the Safeguarding of Intangible Cultural Heritage; no US technique can be formally ICH-inscribed regardless of significance.
An eight-pointed diamond-pieced star quilt pattern that replaced painted buffalo-hide ceremonial robes after the near-extermination of the buffalo herds, becoming, within roughly a generation, one of the central symbols of Lakota honor,…
A transitional Plains narrative art form in which warrior-artists adapted the older tradition of painting personal exploits on buffalo hide to the pencil, ink, and colored-pencil pages of trade or captured account ledger books, flourishing…
The painting of bold, symmetrical geometric designs onto stiff, dampened rawhide before it is folded into an envelope-style carrying case, developed to meet the portable-storage needs of horse-mounted nomadic Plains life.
Hand-quarrying and carving of the soft red pipestone (catlinite) found almost uniquely at a sacred quarry site in southwestern Minnesota, worked into ceremonial pipe bowls used in prayer and, historically, treaty and diplomatic ceremonies…
The oldest Plains embroidery technique, in which softened and dyed porcupine quills are sewn or wrapped onto hide, birchbark, or sinew-strung bases in geometric and symbolic patterns, largely supplanted by glass-bead trade goods in the…
A Plains-originated beading technique in which short strung rows of glass beads are tacked to hide or fabric in regular parallel lanes, producing a distinctive ribbed, slightly raised surface well suited to the bold geometric designs…
The Transylvanian szőttes pattern weaving tradition — the geometric warp-float designs in red-on-white that define Hungarian folk textile vocabulary.
The Łowicz striped cloth (pasy łowickie) tradition — the weaving of the characteristic vivid multicolored horizontal striped fabric used for the Łowicz folk costume skirts, aprons, and sashes that are among the most colorful folk costumes…
Pha Praewa is the hand-reeled silk weaving tradition of the Phu Thai ethnic community of Kham Chanot and surrounding villages in Sakon Nakhon province — one of the most technically refined silk traditions in Thailand and distinct from the…
The Soufli silk weaving tradition of Thrace — the production of natural silk from the silkworm (Bombyx mori) in the town of Soufli on the Evros river, the only silk-producing town in Greece and one of the few remaining in Europe, whose…
The Khmer-descended communities of Surin province in southern Isan produce a silk weaving tradition that is distinct from mainstream Isan mudmee ikat — reflecting the Khmer cultural identity of these communities whose ancestors were…
Pha Yok is the supplementary weft gold and silver thread silk brocade of the ancient city of Lamphun — Thailand's oldest continuously inhabited city, founded as the capital of the Hariphunchai Mon kingdom in the 7th century CE.