Japan · Basketry; Bamboo craft; Okinawan heritage

Okinawan Bamboo Basketry (Chatan Takezaiku)

北谷竹細工 (Chatan takezaiku); 琉球竹細工 (Ryūkyū takezaiku)

Okinawan bamboo basketry is the weaving of everyday baskets from hōraichiku (Bambusa multiplex), a clump bamboo with long internodes and low nodes that bends without splitting. Before the war it was a common household trade, with Chatan as a leading center. In Okinawan a basket is a dīru and a flat sieve basket a bāki. The forms were shaped by daily life. The sagijōki is a lidded basket hung from a cord to keep food safe from rats. The nuno-bāra (ūbāra) held split banana fiber for spinning bashōfu thread, and its rim is smoothed so fibers do not snag. The jin-dīru, a roadside vendor's money basket, has a narrowed mouth so notes do not blow away and four small pointed feet so it stands on the ground yet rides on the head. After the war plastics displaced these baskets and better-paid jobs on the US bases drew workers away. 津嘉山寛喜 (Tsukayama Kanki) is a third-generation bamboo craftsman. His grandfather's family moved to Chatan in 1879 and made bamboo work its trade, and after the war his father was the only one left working in the town. Tsukayama helped his father as a boy, but worked on the US bases and in construction until about forty. In 1989 he took up the craft full-time, learning from his father by weaving and unpicking again and again. He later set up his own workshop in Chatan, moved it to Yaeshima, Okinawa City, in 1997, and was certified an Okinawa Prefecture craftsman (県工芸士) in 2002 with a bāki as his test piece. His commissions include the basket for the seedlings planted by the Emperor and Empress at the 1993 National Tree Planting Festival, and the 'Mianda' ritual basket for a priestess of Izena Village (1994). He has also refined the forms and invented new ones, such as lighting and flower vessels. Okinawa City called him perhaps the only person in the prefecture living from bamboo craft (2003), and that description still stood in 2018 and 2023 reporting. Orders wait six months to more than a year.

Risk level: Critically Endangered · Not inscribed. Not designated; the maker holds Okinawa Prefecture certified-craftsman status (2002)

Alternate Names
Dīru / tīru (ディール, basket); bāki (バーキ, flat sieve basket); sagijōki (サギジョーキ, lidded hanging food basket); nuno-bāra / ūbāra (布バーラ, bashōfu fiber basket); jin-dīru (銭ディール, money basket); mījōki; Ryukyu bamboo craft
Geographic Center
Chatan (historical center) and Yaeshima, Okinawa City, Okinawa Island
Community / Ethnic Group
Okinawan (Ryukyuan); Chatan bamboo-working households
Estimated Origin
Prewar household trade; the Tsukayama family's trade in Chatan from 1879; decline after the war (from c. 1965 per Koza Kōgeikan Fundū)
Cultural Function
Everyday storage, carrying and food-processing baskets; ritual baskets for village priestesses; dance props
Primary Materials
Hōraichiku bamboo (Bambusa multiplex)
Primary Tools
A slicing tool that separates skin from flesh; a sizing tool that shaves strips to an even width; knives
Process Overview
Harvest hōraichiku -> split and shave strips -> plait base -> raise walls -> finish and bind rim
Traditional Applications
Dīru and bāki; sagijōki food storage; nuno-bāra for bashōfu fiber; jin-dīru money baskets; ritual and ceremonial baskets
Contemporary Applications
Flower vessels, sweets baskets, dance props, lampshades, bamboo insects
Notable Practitioners
Tsukayama Kanki (津嘉山寛喜), Chatan Takezaiku, Okinawa City — third generation; Okinawa Prefecture certified craftsman (2002)
Key References
Okinawa City, Kōhō Okinawa No. 347 (May 2003), '今月の人 津嘉山寛喜'; Kozaweb / Koza Source vol. 48 (Feb 2014), '繊細竹細工 津嘉山寛喜'; Koza Kōgeikan Fundū, '北谷竹細工'; Nakagawa Masashichi, 'ただ一人の職人が受け継ぐ竹細工' (2018)
Verification Status
Verified — life history and 'sole full-time maker' status confirmed by several independent sources

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