Italy · Jewellery / Sculptural Craft
Arte del Corno Napoletano
The making of the corno napoletano — the iconic red twisted horn amulet of Naples — in coral, gold, silver, or horn, by carving, casting, or shaping techniques depending on material — a practice at the intersection of jewelry, protective magic, and Neapolitan cultural identity, concentrated on Via San Gregorio Armeno and in the goldsmiths of the Spaccanapoli district.
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A family of hand embroidery traditions from Sicily — including the sfilato (drawn thread work creating geometric openwork), trapunto (quilted and padded relief embroidery), and polychrome silk embroidery — worked on linen, silk, and fine…
A family of embroidery traditions from Abruzzo — including the distinctive black embroidery (ricamo nero) of Pescocostanzo worked in black silk on white linen creating geometric and figurative designs, and the polychrome costume embroidery…
The carving and finishing of Etna lava stone into architectural elements, tiles, decorative objects, and the characteristic cameo-style lava stone miniatures — exploiting the stone's extremely fine grain, hardness, and the pale gray-black…
A tradition of fine furniture making and decorative woodworking in the Belluno Dolomite area — distinct from the Val Gardena carving tradition and from the Venetian furniture tradition — producing vernacular Alpine furniture forms…
A tradition of tin-glazed earthenware from the volcanic landscape north of Rome — Viterbo, Civita Castellana, and the Monti Cimini area — producing maiolica that reflects the region's Etruscan, Roman, and Renaissance ceramic heritage,…
A family of basket-weaving traditions across Sardinia using asphodel (asfodelo), dwarf palm (palma nana), rush (giunco), and willow — each area of the island producing distinctively patterned baskets reflecting local plant ecology and…
Mongolian silver saddle hardware (эмээл чимэглэл) is the tradition of producing the repoussé silver panels, silver bridle fittings, and engraved silver buckles that adorn the Mongolian wooden saddle (emeel).
The Langalanga people of the lagoon off the western coast of Malaita Island (Solomon Islands) produce the shell money (rokosama) that is still used as currency for bride price, compensation, and ceremony throughout Malaita.
Makassar goldsmithing and silverwork is the hereditary jewelry tradition of the Makassarese people — the other major ethnic group of South Sulawesi alongside the Bugis — producing filigree, granulation, and repoussé work for ceremonial…
The Kula ring is the vast ceremonial exchange system of the Milne Bay islands (Trobriand Islands, Woodlark, Louisiade Archipelago) described by Bronisław Malinowski in his foundational anthropological study — a system where specific shell…
The lost-wax casting of silver jewelry and the tanning, cutting, and embroidered decoration of leather goods by Tuareg smiths (Inaden) and leatherworkers of Timbuktu and the Kidal region of northern Mali, two of the principal population…
The quaich making tradition — the Scottish two-eared shallow drinking cup (the name from Gaelic cuach, a cup or bowl) that is the defining Scottish ceremonial vessel for whisky sharing, used at formal occasions from Highland Games to state…