Liberia · Metalwork / Blacksmithing
Not specifically documented under a standardized local term
The hammering, filing, and welding of decommissioned civil-war weapons — AK-47s, bazookas, rocket-propelled grenade launchers, and sub-machine-gun barrels — into ornate decorative and functional objects, practiced at Fyrkuna Metalworks on the outskirts of Monrovia, Liberia. Founded in 2007 by German blacksmith Manfred Zbrzezny, who trained in Italy and Germany before arriving in Liberia in 2005, the workshop gathers weapon parts collected through the country's post-conflict disarmament process, sourced via a German charity, and transforms them into flowerpots, lamps, furniture, banisters, candle stands, bookends, and sculptures. The technique directly repurposes objects specifically associated with Liberia's two ruinous back-to-back civil wars — conflicts marked by documented atrocities including the use of drugged child soldiers — converting materials of "untold misery" into what the workshop's founder and Liberian craftsmen and apprentices frame as symbols of hope and post-conflict transformation.
Risk level: Vulnerable · Not independently inscribed
The single-piece carving of wooden face masks by initiated male carvers of the Dan (Gio) people and closely related Mano, Geh, Kran, and Wee/Guere communities of eastern Liberia and western Côte d'Ivoire, produced under the authority of…
The hand-spinning, dyeing, and narrow-strip weaving of thick cotton cloth by Gola, Lorma (Loma), Kpelle, Vai, and related peoples of Liberia, using the distinctive tripod loom found almost exclusively in Liberia and neighboring Sierra…
The hand-building, sun-curing, and open-fire firing of clay cooking pots in the village of Kpeyi, Liberia, documented in precise technical detail through direct 1968 field observation.
The forging of the shibriya, a traditional Bedouin dagger that has armed nomadic tribes across the Jordanian desert for centuries, carried on today by a small number of remaining family workshops.
Repoussé and chasing technique applied to silver sheet to create intricate raised-relief decorative objects, characterized by Lanna-style floral and fauna motifs.
Ryukyu raden (螺鈿) is lacquer inlaid with shell, above all yakōgai, the great green turban shell of southern Ryukyuan waters.
Lost-wax (cire perdue) casting of bronze Buddha images and ritual objects, a royal court craft tradition documented under Chang Lor (casting craftsmen) in the Chang Sip Moo system (DCP/Thailand Foundation 2025).
The casting, hammering, chiseling, and filigree engraving of silver jewelry — most iconically the large triangular fibula brooch (tizerzai) used by Amazigh women to fasten garments — centered in Tiznit, Morocco's historic silver capital.
Koftgari is a technique of inlaying gold and silver wire into crosshatched steel to produce intricate decorative patterns on blades, armor, and metalwork.