Mongolia · Metalwork / Saddlery / Jewelry
эмээл чимэглэл (Emeel Chimeglel)
Mongolian silver saddle hardware (эмээл чимэглэл) is the tradition of producing the repoussé silver panels, silver bridle fittings, and engraved silver buckles that adorn the Mongolian wooden saddle (emeel). The horse is not merely transport in Mongolia — it is the primary relationship of nomadic life, and the saddle is its altar. A fully decorated Mongolian saddle represents the accumulated wealth and skill of a family across generations. The defining technical knowledge is the repoussé pattern vocabulary: Mongolian silver work uses a specific set of curvilinear motifs (khamar — nose curve; erikh — collar scroll; tsetseg — flower) that are assembled from a set of chasing punches specific to each workshop — the punch set is the silversmith's most personal and protected tool.
Risk level: Critically Endangered · Mongolia national ICH list
The Mongolian urga (уурга) — the catching lasso pole — and the nogto (ногт) — the halter and bridle rope — are made from braided horse tail hair, the strongest and most water-resistant natural fiber available to steppe nomads.
The Mongolian khuurtsag (хуурцаг) — snuff bottle — is the primary Mongolian miniature collectible: a small (50-80mm tall) carved bottle of agate, jade, amber, serpentine, or bone with a fitted stopper and internal spoon.
The khökhüür (хөхүүр) is the Mongolian leather vessel used for the production and storage of airag — fermented mare's milk, the central beverage and ritual substance of Mongolian nomadic life.
Tsam (цам) is the Mongolian Buddhist masked ritual dance tradition performed at monasteries — the Mongolian expression of the Cham masked dance found across the Himalayan Buddhist world.
The making of the morin khuur — the two-stringed, horse-head-carved bowed fiddle considered Mongolia's national instrument and, since 2003, recognized by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity.
The painting of Buddhist devotional scroll images (thangka) in a distinctly Mongolian visual style that developed rapidly from the 18th century onward and achieved a recognizably independent regional idiom by the early 20th century,…
Hand-stamped and turquoise-set silver jewelry — concha belts, squash blossom necklaces, bracelets, and bolo ties — developed after Diné smiths learned metalworking from Mexican plateros in the mid-19th century.
The chasing, engraving, and casting of silver and gold into rastras (ornate ceremonial belt buckles), facón knives, mate bombillas (drinking straws), spurs, and elaborate silver horse tack, historically central to gaucho identity on…
A shallow-engraving decorative silverwork technique historically centered in the Armenian city of Van, in which a design is cut into a silver surface and filled with niello, a black alloy of sulfur, copper, silver, and lead melted into the…
Nambu Tekki (南部鉄器) is the cast iron craft tradition of Morioka and Mizusawa in Iwate Prefecture — producing the iconic tetsubin (鉄瓶 — cast iron kettle) and iron tea ceremony accessories that have become Japan's most internationally…
The traditional dry assay (Trockenprobe) and cupellation (Kupellation) techniques for determining silver content in ore samples, developed in the Freiberg mining region of Saxony from the 12th century and codified by Georgius Agricola in…
The casting and finishing of estanho (pewter — an alloy of 90 to 98% tin, refined from cassiterite ore, combined with 1 to 8% antimony and 0.25 to 3% copper, since pure tin is too soft for standalone use) into liturgical and domestic…