Singapore · Basketry / Woven Craft

Malay Ketupat Palm Leaf Weaving

Anyaman Ketupat

Ketupat weaving is the traditional Malay craft of folding and interlacing fresh young coconut or palm leaves into a diamond-shaped pouch for cooking rice — the raw rice placed inside the woven pouch and boiled until the rice expands to fill the pouch completely, producing the characteristic compressed, square rice cake. The weaving requires fresh leaves (within hours of harvest for maximum flexibility), a specific interlocking pattern that seals the pouch while allowing water flow, and the correct weave density — too tight and the rice cannot expand; too loose and the rice escapes. Anita Tompang, identified through NHB's Craft X Design program, has 50 years of ketupat weaving experience and has hand-woven ketupat for every Hari Raya (Eid) for over 20 years — making her Singapore's most documented ketupat practitioner. The craft is practiced across the Malay world but is declining sharply as commercially pre-woven ketupat pouches replace hand-woven.

Risk level: Endangered · Not inscribed

Alternate Names
Ketupat; woven rice dumpling pouch; anyaman daun kelapa
Geographic Center
Singapore Malay communities — Geylang Serai area; Kampong Glam; island-wide for Hari Raya practice
Community / Ethnic Group
Singapore Malay community; ketupat weaving by women (predominantly) for Hari Raya
Estimated Origin
Pre-historic — coconut leaf weaving tradition coeval with Malay coastal communities; ketupat form estimated 500+ years in current form
Cultural Function
Hari Raya (Eid al-Fitr) food preparation — ketupat are the defining food of the Malay Eid celebration, served with rendang and satay. The act of weaving ketupat for Hari Raya is itself a cultural practice — families traditionally weave together in the days before the festival. Symbol of Malay cultural identity — the diamond-shaped ketupat appears on Hari Raya decorations, cards, and merchandise.
Primary Materials
Fresh young coconut leaves (daun kelapa muda — within hours of harvest); occasionally young palm leaves
Primary Tools
Hands (primary forming tool — no implements needed); fresh leaves
Process Overview
Leaf freshness test → leaf stripping → interlacing diamond form → rice insertion → final sealing tuck → boiling
Traditional Applications
Hari Raya rice cooking; Malay cultural ceremony food preparation; family Hari Raya preparation ritual
Contemporary Applications
Cultural education; school programs; Hari Raya decorative symbol; NHB demonstration programs; craft workshops
Notable Practitioners
Anita Tompang (Singapore — NHB Craft X Design 2021 participant; 50 years experience; hand-weaves ketupat for every Hari Raya for 20+ years; featured in Berita Harian).
Key References
NHB Craft X Design 2021 documentation — Anita Tompang with Andrew Loh. Berita Harian feature on Anita Tompang. Malay Heritage Centre ketupat documentation.
Verification Status
Desk-Researched — field verification with Anita Tompang through NHB recommended

More from Singapore

  • Singapore Shophouse Tailoring and Custom Shirt MakingWeaving & Textiles · Endangered

    The cutting and sewing of made-to-measure shirts, trousers and suits in Singapore by family-run shophouse tailors, a trade built by Chinese migrant tailors from the 1880s.

  • Singapore Taoist Deity Statue Carving (Kim Sin)Woodwork & Carving · Critically Endangered

    Kim Sin (金身, literally "golden body" in Hokkien) is the Singapore Chinese craft of hand-carving and restoring wooden statues of Taoist deities for temple worship — a permanent devotional object, carved and painted piece by piece, distinct…

  • Singapore Straw Fire Dragon Making (Cai Cao Xiang Huo Long)Basketry & Woven Fiber · Critically Endangered

    The Singapore straw fire dragon is a ritual object built once every three years for Mun San Fook Tuck Chee Temple in Geylang, the only temple in Singapore to perform this dragon dance, held on the second day of the second lunar month to…

  • Chinese Seal Carving (Chop-Making)Woodwork & Carving · Critically Endangered

    Chinese seal carving (zhuan ke) is the ancient practice of carving Chinese characters in reverse intaglio into stone, ivory, jade, or wood to create personal name seals (chops) used for official signatures in Chinese cultural practice.

  • Singapore Rattan Furniture MakingBasketry & Woven Fiber · Critically Endangered

    Singapore's rattan furniture tradition is one of the last surviving furniture-making craft practices in the city-state — a tradition of constructing chairs, tables, and storage items from rattan cane using techniques brought from Guangdong…

  • Foochow Chinese Lantern MakingArchitectural Craft · Critically Endangered

    The Foochow Chinese lantern tradition of Singapore — specifically the hand-made split bamboo and rice paper lanterns produced for the Mid-Autumn Festival and Chinese New Year — is one of the most visually iconic and most endangered craft…

All techniques in Singapore →

Related basketry & woven fiber elsewhere

  • Inle Lake Lotus Fiber Weaving (Kyar Thi Hta)Myanmar · Critically Endangered

    Inle Lake lotus fiber weaving (ကြာသီးထည် kyar thi hta — 'lotus stalk textile') is one of the rarest textile traditions in the world — practiced only on Inle Lake in Shan State, Myanmar, and in a small number of locations in Cambodia.

  • Rodrigues Vacoas and Vetiver Leaf Basket WeavingMauritius · Vulnerable

    The hand-weaving of vacoas (pandanus) and vetiver leaves into baskets, handbags, wallets, and hats, a technique mastered on the Mauritian island of Rodrigues and practiced by contemporary craftswomen including Anouchka Pierre Louis, who…

  • Sombrero Pintado (Panamanian Painted Hat) WeavingPanama · Vulnerable

    The hand-braiding and weaving of Panama's own native straw hat — genuinely made in Panama, unlike the internationally famous "Panama hat," which is in fact Ecuadorian — using bellota palm fiber for the base braid and a distinctive black…

  • Lazio Straw Weaving and Rush CraftItaly · Critically Endangered

    A tradition of basket and hat weaving from the coastal and inland areas of Lazio — using rush, straw, and willow from the Pontine plain, the Tiber valley, and the coastal marshes — producing domestic baskets, hats, and decorative objects…

  • Djerba Palm-Leaf Basketry and Rush-Mat WeavingTunisia · Critically Endangered

    The hand-weaving of palm leaves into baskets, hats, mats, and cordage by artisans of Djerba, a small Mediterranean island off Tunisia's coast, dotted throughout with palm trees that supply the craft's raw material.

  • Dazo — Bhutanese Traditional Bow and Arrow MakingBhutan · Critically Endangered

    The making of the traditional bamboo bow (zhu) and arrow (da) used to play archery, Bhutan's national sport since 1971.

All basketry & woven fiber techniques →