ဒနုပြည့်ဆဲ (Danu Din Phao)
Danu pottery is the traditional earthenware tradition of the Danu people — a small Tibeto-Burman group on the Shan plateau near Pindaya, Southern Shan State. The Danu pottery tradition is one of the few remaining hand-built coil pottery traditions on the Shan plateau and is notable for its specific clay preparation technique incorporating river sand at a higher proportion than most Southeast Asian earthenware traditions — the high-sand body producing a distinctive porous surface suitable for water-cooling vessels (the porous surface allows slow moisture evaporation that cools the vessel contents). The firing uses a combination of wood fire and rice husk in a semi-enclosed pit — producing a characteristic warm brown to black surface with fire-cloud markings from the rice husk smoke.
Risk level: Critically Endangered · Not separately inscribed
The forging of the dha (da) — the single-edged, guardless curved sword or long knife that is Myanmar's most historically significant edged-weapon tradition and one of the ten canonical 'Pan Sel Myo' craft categories (Panbe, blacksmithing).
The carving and finishing of jadeite (kyauk sein) in Mandalay, the principal cutting and trading center for jade mined at Hpakant in Kachin State — the world's dominant source of gem-quality jadeite, sometimes described in trade literature…
Mandalay gold leaf beating (ရွှေစာ shwe sar) produces the thinnest gold leaf in the world — sheets measuring approximately 1/10,000mm (100 nanometers) thick — used by Buddhist devotees to apply gilding directly onto Buddha images and…
Bagan yun (ယွန်းထည်) is the supreme lacquerware tradition of Myanmar — produced in and around Bagan and Mandalay for over a thousand years and widely considered the finest lacquerware tradition in Southeast Asia.
Luntaya acheik (လွန်တာ အချိတ် — 'one hundred shuttles interlock') is the most technically demanding silk weaving tradition in Myanmar — and one of the most complex in Southeast Asia.
Mandalay marble Buddha carving (ကျောက်ဆစ် kyaukse) is the sculptural tradition centered in the Sagyin and Kyaukse districts north of Mandalay — using white Sagyin marble to produce Buddha images in the Mandalay style: seated in meditation…
A hand-building pottery tradition from Cotoca, near Santa Cruz de la Sierra, in which women potters (loceras) build vessels and figurative sculpture entirely from coils of clay without a wheel or mold, drawing on local pre-Columbian…
Extremely thin-walled, hand-coiled pottery made from clay tempered with ground potsherds, prized for fine geometric and fine-line painted designs and for walls thin enough that a small clay impurity can cause a firing failure.
Matte-on-glossy black pottery achieved through a smothered, oxygen-reduction outdoor firing, developed by Maria and Julian Martinez in the early 20th century after study of ancient black-on-black sherds and now a defining San Ildefonso…
The Gmundner Keramik tradition — the making of the distinctive green-flamed earthenware of the Salzkammergut town of Gmunden, whose characteristic irregular green flame decoration on a cream ground has been the defining Austrian folk…
The Bolesławiec stoneware pottery tradition of Lower Silesia — the distinctive blue, white, and cream stoneware decorated with the characteristic peacock-eye (pawie oko) and dot-in-circle sponge-stamp patterns that have made Bolesławiec…
Multiple indigenous communities of Sarawak produce a hand-formed, unglazed earthenware tradition — distinct from Peninsular Malaysian pottery and reflecting Borneo's geological and cultural specificity.