Буряад алтан ажал (Buryaad altan azhal)
The metalworking and jewelry-making tradition of the Buryat people, an Indigenous Mongol ethnic group of the Lake Baikal and Transbaikal regions of Siberia, in which blacksmith-jewelers historically combined minting (chased or stamped relief work), filigree, niello, and enamel into elaborate silver jewelry — breast, head, and belt ornaments, and pendants specifically for braided hair — worn as part of a documented, visibly heavier and more elaborate festive women's dress among the eastern Trans-Baikal Buryats compared to the more restrained clothing and ornament style of the western, Baikal-region Buryats.
Risk level: Endangered · Not Listed
The processing of reindeer hide into clothing, footwear, and dwelling coverings by the Nenets, an Indigenous nomadic reindeer-herding people of the Yamal Peninsula and Russian Arctic, whose home for more than a thousand years is now…
The carving of mammoth ivory by the Sakha people of the Sakha Republic (Yakutia), Siberia — a material naturally preserved in the region's permafrost for thousands of years, yet one the Sakha did not begin carving until relatively…
The engraved, openwork, and relief carving of walrus ivory, seal bone, and, more rarely, mammoth and elephant ivory, developed in the 17th century in Kholmogory, a White Sea port town near Arkhangelsk in Russia's far north — a tradition…
The engraving, chasing, and niello decoration of silver in the mountain village of Kubachi, Dagestan, mentioned in historical annals since the 4th century, where roughly 300 of the village's approximately 2,500 residents work as…
The needlework tradition of Torzhok, on the Tvertsa River in Tver Oblast, in which women embroiderers work gold thread and, later, fine twisted gold wire (containing 5 to 8 percent actual gold) onto velvet, silk, morocco leather, and other…
A hand-molded clay whistle tradition of the village of Filimonovo, in Tula Oblast, whose distinctively elongated human and animal figures are a direct physical consequence of the local bluish-gray clay's own difficult behavior — it cracks…
The hand-engraving of decorative and calligraphic designs onto copper, silver, and gold objects, originating in Fez in the late 12th to early 13th century and later spreading to other Moroccan cities, particularly Marrakesh.
Mis-gari (мисгарлик — copper work) is the Uzbek tradition of producing engraved and repoussé copper vessels — trays, bowls, ewers, and samovars — that were the standard household prestige objects of the Silk Road city.
A tradition of coppersmithing and decorative ironwork centered in Scanno and other Abruzzo mountain towns — producing the distinctive large copper cauldrons (caldaie) for Abruzzo cheesemaking (Pecorino and Caciocavallo), copper domestic…
The Ioannina silver filigree tradition of Epirus — the most significant Greek silversmithing tradition, centered in the city of Ioannina (the capital of the Ottoman Epirus pashalik under Ali Pasha), whose specific combination of Ottoman…
The casting, hammering, chiseling, and filigree engraving of silver jewelry — most iconically the large triangular fibula brooch (tizerzai) used by Amazigh women to fasten garments — centered in Tiznit, Morocco's historic silver capital.
A complement to Solingen blade forging (CRAFT-1236), documenting the specific craft of scissors making — a production tradition as old as the Solingen blade making itself and equally protected by the Solingen geographic indication.