Lebanon · Fine-Art-Adjacent Workshop Craft

Beirut Handmade Mosaic Cement Tile Making

Blatt (tile, as reflected in company name Blatt Chaya, 'Chaya Tiles')

The hand-pouring of mosaic cement tiles using metal stencils and natural pigments, a craft that emerged in Lebanon in the late nineteenth century, influenced by the decorative traditions of the Ottoman Empire and the wider Mediterranean Arts and Crafts movement. What made Lebanese tiles genuinely distinct was not just their patterns but their embedded symbolism: squares inspired by village gardens, colors borrowed from coastal sunsets, stars taken from church ceilings, and motifs echoing Beirut's old building facades. Homes in Achrafieh, Tripoli, Zahle, and Saida used these tiles to tell stories of lineage and taste, with families often requesting custom patterns that became part of household identity, passed down like heirlooms; by the early twentieth century, Beirut was filled with these hand-poured floors, entire neighborhoods connected by a patchwork of motifs, each tile individually poured by hand through metal stencils. Everything changed in the 1950s, when factory-produced utilitarian flooring offered a cheaper alternative, and most tile producers closed their businesses or changed their products entirely; the country's fifteen-year civil war, ending in 1990, further destroyed many tile-adorned buildings. Edgard Chaya, at the age of 87, is directly documented by Al Jazeera as reviving the tradition of handmade mosaic tiles in Lebanon, stubbornly resisting sizeable offers to expand and automate production at his company, Blatt Chaya (Chaya Tiles); his granddaughter Youmna directly explained his motivation: 'He's very passionate about the human element that goes into the making of his tiles; for him, there's no point in using machines just to make more money.' Keeping with a specifically Lebanese identity for the project, Chaya names his individual design patterns after Lebanese regions and towns, including Zahle, Batroun, and Mazraa. As the craft re-emerged in the 2000s, designers and architects abroad began specifically seeking out Lebanese tiles for their warmth and craftsmanship.

Risk level: Endangered · Not independently inscribed

Alternate Names
Lebanese cement tiles
Geographic Center
Beirut, particularly Blatt Chaya's factory; historically also Achrafieh, Tripoli, Zahle, and Saida
Community / Ethnic Group
Beirut tile-making families, including the Chaya family
Estimated Origin
The craft emerged in Lebanon in the late nineteenth century, influenced by Ottoman Empire decorative traditions and the wider Mediterranean Arts and Crafts movement
Cultural Function
Lebanese tiles carried genuine embedded symbolism -- village gardens, coastal sunsets, church ceiling stars, and Beirut facade motifs -- directly encoding local landscape and architecture into domestic flooring; families' custom pattern requests, passed down like heirlooms, directly embedded the tiles within household lineage and identity; Edgard Chaya's own documented refusal to automate production, explicitly prioritizing 'the human element' over increased profit, represents a genuinely significant, currently active act of individual craft preservation against commercial pressure
Primary Materials
Cement
Primary Tools
Metal stencils, for pattern creation
Process Overview
Prepare cement and natural pigment mixtures, and hand-pour the mixture through metal stencils to create precise, coherent geometric and symbolic patterns, at times to specific family custom order; handmade mosaic cement tile making, emerging in Lebanon in the late nineteenth century under Ottoman and Mediterranean Arts and Crafts influence, once filling entire Beirut neighborhoods with hand-poured floors before 1950s factory competition and civil-war destruction severely reduced the industry, today revived by 87-year-old craftsman Edgard Chaya of Blatt Chaya, who explicitly resists automation to preserve the craft's essential human element, naming his individual designs after Lebanese towns including Zahle, Batroun, and Mazraa.
Traditional Applications
Domestic flooring for homes in Achrafieh, Tripoli, Zahle, and Saida
Contemporary Applications
Continued production at Blatt Chaya; renewed international demand from designers and architects abroad since the 2000s, specifically valuing the tiles' warmth and craftsmanship
Notable Practitioners
Edgard Chaya, 87-year-old master tile-maker and owner of Blatt Chaya (Chaya Tiles), directly interviewed by Al Jazeera, described by his granddaughter Youmna as passionate about preserving the human element of the craft against automation; his great-grandfather was among the original generation of Lebanese tile producers
Key References
Al Jazeera, 'Lebanese artisan revives mosaic tile tradition' (2016, detailed photo-essay feature, direct quotation from Edgard Chaya's granddaughter Youmna); The Beiruter, 'The mosaic that carried our stories' (detailed historical feature, confirming late-nineteenth-century origins, symbolic motif meanings, and the 2000s international revival); The961, '12 Traditional Lebanese Crafts and Where to Find Them' (confirming Zouk Mikael as a further contemporary tile-workshop location)
Verification Status
Desk-Researched

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