Indonesia · Paper Making

Banana-Stem Papermaking

Kertas pisang (Indonesian, 'banana paper'); バナナペーパー (in Japanese sources)

Handmade paper formed from the pseudostems (the 'trunks') of banana plants that have already fruited, developed in Bali from 1998 for interiors rather than writing. The stems are peeled like an onion, cut small, boiled for hours (with caustic soda, and bleach only when white paper is wanted), beaten soft and washed, then spread by hand and fingers across a string-lined frame submerged in shallow water, a pour-and-spread method its maker compares to Japanese tame-zuki. Sheets are dried upright in the sun and peeled off; unbleached paper ranges from creamy yellow to tan, with every fiber visible. Frames reach three by two meters, a team of three spreads each sheet, and lengths of seven meters are the most common order. Variations include patterned sheets formed over a grid of string with pulp of varying consistency, and thin, fabric-like paper dyed with annatto, turmeric and indigo. The paper goes into partitions, shoji-style screens, lampshades, wall hangings, rugs and even clothing, commissioned by designers and architects across Asia and beyond.

Risk level: Vulnerable · Not inscribed

Alternate Names
Bali banana paper; banana-fiber handmade paper; banana-trunk paper
Geographic Center
Mas village, near Ubud, Gianyar, Bali
Community / Ethnic Group
A Japanese-founded studio worked by Balinese staff (seven in 2018, eight in 2024)
Estimated Origin
1998, when the founder learned of banana papermaking from a friend who had attended a workshop in Australia and began experimenting; studio established 2002 (Arraoui 2024; Bali Keizai dates the workshop to 1998)
Cultural Function
An introduced studio craft that turns an agricultural by-product into architectural and interior material; in its founder's words, 'not paper for writing, but interiors that make use of a natural material' (Asahi 2018, translated).
Primary Materials
Banana pseudostems (the soft false 'trunk' formed by tightly rolled leaf bases) from plants that have already fruited
Primary Tools
Large string-lined wooden frames (screens up to 3 x 2 m); purpose-built shallow water bath
Process Overview
Strip and cut pseudostems → boil with caustic soda (bleach optional) → beat and wash → spread fiber by hand on a string-lined frame under shallow water → lift and dry upright in the sun → peel off, roll and store.
Traditional Applications
Not applicable: an introduced craft (from 1998), not a traditional Balinese practice
Contemporary Applications
Partitions in hotels and restaurants; lampshades (e.g., Pizza 4P's Jakarta Mori Tower); shoji-style window paper (The Yoga Barn, Ubud); wall hangings, screens, rugs, coffee tables; a paper object at a Japanese onsen hotel (Arima Hanano); garments (the founder's banana-paper jacket, 2024)
Notable Practitioners
Kiyoshi Naruse (成瀬潔), Japanese, born c. 1950; came to Bali in 1992 as a freelance editor, settled in 1995, began making banana paper in 1998; founder of Greenman Banana Paper Studio, Mas, Ubud; taught workshops abroad, including Brisbane (2011). His successor, Putu, trained in the studio, now heads it (Bali Keizai, 2024).
Key References
Asahi Shimbun GLOBE+, 'バリ島産バナナで作る手すきの紙 口コミで世界に広がる', 11 July 2018; Ina Arraoui, 'Greenman Banana Paper Studio', 12 August 2024; Bali Keizai Shimbun, 'ウブドのバナナペーパー工房が展示会', 21 April 2024; Pizza 4P's, 'Light, from Banana Trees' (2025); plus62.co.id, Naruse diary entry, 25 April 2020
Verification Status
Desk-Researched

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