The Depository · Browse · The Americas

Craft Techniques of Ecuador

The Depository documents 10 techniques in Ecuador; by risk level: 1 critically endangered, 7 vulnerable, 2 stable. Each record opens with a public summary; the full research record is free to view once registered.

Explore Ecuador in the Depository →

Weaving & Textiles

  • Cañari Ahuano Backstrap Loom WeavingWeaving & Textiles · Critically Endangered

    The weaving of clothing — most distinctively the cushma, a poncho-like garment with colorfully embroidered contours — on the ahuano, a specific backstrap loom developed by the Cañari people of Ecuador's southern highlands, a millennia-old…

  • Otavalo Kichwa Wool WeavingWeaving & Textiles · Vulnerable

    The backstrap- and treadle-loom weaving of wool, cotton, and alpaca fiber into ponchos, tapestries, wall hangings, scarves, belts (fajas), and wraparound garments (anacos), practiced by the Kichwa Otavalo people of Ecuador's northern…

  • Salasaca Storytelling Tapestry WeavingWeaving & Textiles · Vulnerable

    The pedal-loom weaving of wool into elaborate narrative tapestries depicting the customs, cosmology, and lived events of the Salasaka people, an Indigenous community of Quechua/Kichwa-speaking Inca descent occupying a small, roughly…

All weaving & textiles techniques worldwide →

Dyeing & Surface Design

  • Gualaceo Macana Ikat WeavingDyeing & Surface Design · Vulnerable

    The spinning, sun-drying, resist-tying, dyeing, and backstrap-loom weaving of wool into macanas — traditional Ecuadorian shawls decorated in the ikat technique, in which thread is bound before dyeing to create the finished cloth's…

  • Sosote Tagua Nut (Vegetable Ivory) CarvingDyeing & Surface Design · Stable

    The harvesting, drying, cutting, carving, polishing, and dyeing of tagua palm seeds (Phytelephas aequatorialis) — nicknamed 'vegetable ivory' for their hard, shiny, ivory-white texture — into figurines, jewelry, buttons, and decorative…

All dyeing & surface design techniques worldwide →

Metalwork & Jewelry

  • Chordeleg Silver and Gold FiligreeMetalwork & Jewelry · Stable

    The rolling, drawing, and hand-twisting of silver and gold into fine wire, formed into intricate filigree earrings, rings, bracelets, and pendants in Chordeleg, Azuay province — a town whose very name, meaning 'gold waterfall' or 'valley…

All metalwork & jewelry techniques worldwide →

Leatherwork

  • Cotacachi Family-Specialized LeatherworkingLeatherwork · Vulnerable

    The tanning, stretching, molding, shaping, sewing, painting, and dyeing of leather into bags, belts, tack, and contemporary fashion goods in Cotacachi, Imbabura province — 'the Leather Capital of Ecuador,' home to more than 50 artisanal…

All leatherwork techniques worldwide →

Basketry & Woven Fiber

  • Montecristi and Cuenca Toquilla Straw Hat WeavingBasketry & Woven Fiber · Vulnerable

    The hand-weaving of toquilla palm fiber (Carludovica palmata) into what the wider world mistakenly calls the 'Panama hat' — a genuinely Ecuadorian craft with archaeological evidence, including woven-headdress figurines, indicating practice…

All basketry & woven fiber techniques worldwide →

Woodwork & Carving

  • San Antonio de Ibarra Quito-School Wood CarvingWoodwork & Carving · Vulnerable

    The carving of religious icons, secular sculpture, furniture, and altarpieces from cedar, walnut, orange tree, and laurel wood, practiced in San Antonio de Ibarra — 'the wood-carving capital of Ecuador' — since the aftermath of the…

All woodwork & carving techniques worldwide →

Embroidery & Lace

  • Saraguro Collares BeadworkEmbroidery & Lace · Vulnerable

    The stringing and weaving of small glass beads into collares — elaborate multi-strand necklaces reaching from neck to shoulder — practiced by women (and a few men) of the Saraguro Kichwa people of Loja province, one of the very few…

All embroidery & lace techniques worldwide →