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The Depository documents 15 techniques in Chile; by risk level: 1 critically endangered, 3 endangered, 11 vulnerable. Each record opens with a public summary; the full research record is free to view once registered.
The shearing, spinning, and backstrap- or four-stake-loom weaving of llama and alpaca fiber into aguayos (large blankets), ponchos, wakas (woven sashes), and a rich further named repertoire — axo, lijllia, fajas, incuñas, panamantas,…
The weaving of baskets and brooms from quilineja (Luzuriaga radicans), a fine-rooted evergreen climbing vine native to Chile and Argentina, harvested by Chiloé artisans deep in the archipelago's forests, where they seek out the plant…
The cultivation and weaving of mimbre — the fiber of Salix, a fast-growing willow species capable of reaching five meters in a single year — into baskets, furniture, and lighting, centered in Chimbarongo, 150–160 km south of Santiago in…
The braiding of local wheat straw into cuelchas (long plaited strands, giving the craft its practitioner name, colchandera) and their sewing into the chupalla, Chile's national huaso hat, in Ninhue and neighboring communes of the Itata…
The extraction of rush stems from the wet swamps of Chile's austral fjords and their weaving into baskets and storage containers, practiced by the Kawésqar and Yagán peoples — canoe-nomad communities historically living among the channels…
A technique unique in the world — the concentric weaving of dyed horsehair (crin) combined with a vegetable fiber called Ixtle into small, colorful decorative pieces (butterflies, flowers, bookmarks, and jewelry), practiced almost entirely…
Wizüfe, a traditional Mapuche pottery technique of Chile's Araucanía region, whose mastery and public promotion earned ceramist Dominga Neculmán Mariqueo, of the rural village of Roble Huacho, Padre Las Casas, formal recognition as a…
The shaping of greda — a distinctive rose-tinted, unglazed clay — into cookware, tableware, and figurative pieces in Pomaire, a village roughly 60 km west of Santiago whose surrounding hills have supplied potters' raw material since before…
The hand-modeling, needle-incising, and smoke-firing of black earthenware — pots, fountains, tableware, and figurines depicting the peasant landscape and its characters, above all the guitarrera (a countrywoman singer holding a guitar) —…
The hand-modeling and vivid polychrome painting of clay into figures drawn from Chilean popular and religious culture, a colonial-era tradition of Talagante, a rural town in Chile's Metropolitan Region, born from the ceramic practice of…
A brightly colored appliqué patchwork technique — fabric scraps cut from old clothing sewn onto a rectangle of burlap or sacking, roughly the size of a cafeteria tray, sometimes finished with three-dimensional embroidered or crocheted…
The artisanal construction of wooden vessels using native timber, practiced along the riverbanks and coastlines of Chile's remote Aysén and Magallanes regions in explicit contrast to industrial or serial boat manufacturing.
The hand-carving and lathe-turning of combarbalita, a multicolored ornamental kaolinite mineral found nowhere else on Earth, mined no more than ten meters below ground near the town of Combarbalá, Limarí Province, Coquimbo Region.
The weaving of the chamanto — a reversible, rectangular poncho-like garment with a central head-opening, fully finished on both sides with no raw edges, worn as the gala complement of the Chilean huaso (cowboy) — on a loom found nowhere…
The carving of moai kavakava — small, portable wooden figures depicting standing, emaciated male ancestors or spirits with prominently exposed ribs, elongated limbs and earlobes, and intensely carved facial expressions — a wood-sculpture…