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The Depository documents 26 techniques in Argentina; by risk level: 2 critically endangered, 5 endangered, 18 vulnerable, 1 stable. Each record opens with a public summary; the full research record is free to view once registered.
The hand-shaping and painting of ceramic vessels drawing directly on pre-Hispanic Diaguita-Calchaquí decorative motifs, alongside the weaving of baskets from poleo and simbol — native fibers of the arid Calchaquí Valleys — practiced in and…
Two formally recognized traditional crafts of Mendoza province's arid Cuyo region, both designated intangible cultural heritage of the province: junquillo (rush) basketry, practiced since ancestral times by the Huarpe people around the…
The gathering and plaited weaving of native plant fibers — including capiatí, pirurí, pita (an agave-family fiber comparable to Mexican maguey/sisal), coconut fiber, and raffia — into baskets by the Mbyá-Guaraní people of Misiones province…
The hand-braiding of raw cattle hide and tiento de potro (colt-hide cord) into lassos, reins, knife sheaths, keychains, wallets, and other plaited leather goods, a tradition dating roughly four centuries to the Río de la Plata region's…
The weaving of carandillo — a specific native palm fiber — into baskets, mats, and household objects by Pilagá (Guaycurú) women artisans of Formosa province, in Argentina's Gran Chaco Litoral region.
The weaving of palm leaves (lag'aray laué), totora reed (che'ena), and rush (na'até) into baskets by women of the Qom (Toba) people, an indigenous nation of the Gran Chaco spanning Argentina, Paraguay, and Bolivia, concentrated in…
A plant-fiber basketry tradition transplanted from the Chaco interior to urban Rosario, Santa Fe province, by Wichí migrant weavers, most fully documented through named artisan Ruperta Pérez, who learned the craft as a child in Miraflores,…
The gathering, fire-preparing, and weaving of taiu — a long native grass fiber — into baskets by the Selk'nam (also Ona), an indigenous people of Tierra del Fuego, Argentina's and the world's southernmost inhabited region, using a coiling…
The harvesting, hand-processing, spinning, dyeing, and net-weaving of chaguar (Bromelia hieronymi), a spiny wild bromeliad native to the semi-arid forests of the Gran Chaco, into fishing nets, clothing, small bags (yikas), and —…
A cluster of related fine woodworking disciplines — ebanistería (cabinetmaking), talla (carving), calado (openwork piercing), bajorrelieve (bas-relief), vaciado (casting), and damasquinado (damascening, a fine metal-inlay technique…
The casting, hammering, laminating, and percussion-working of melted Spanish and Chilean silver coins into ceremonial pectoral pendants (trapelakucha), headbands (trarilonko), crescent earrings (semá), and elaborate horse fittings by the…
The cutting, carving, and jewelry-setting of rhodochrosite — raspberry-red to whitish-pink banded stone, formally recognized as Argentina's national stone — sourced almost exclusively from Minas Capillitas, a historic mining district more…
The chasing, engraving, and casting of silver and gold into rastras (ornate ceremonial belt buckles), facón knives, mate bombillas (drinking straws), spurs, and elaborate silver horse tack, historically central to gaucho identity on…
The forging, tempering, and finishing of criollo knives — light yet intensively durable blades descended directly from the gaucho facón — in Tandil, Buenos Aires province, a city whose knife-making tradition draws on the ancient Tandilia…
The hand-spinning and weaving of vicuña, llama, alpaca, guanaco, and sheep wool into ponchos, ruanas, and fajas by the Kolla indigenous community of Jujuy province, in Argentina's far northwest — the southernmost extension of the same…
The hand-spinning and criollo-loom weaving of sheep's wool into ponchos and peleros (sheepskin saddle covers), alongside the tooling of greased calfskin into fine leather goods, in La Rioja, a province specifically identified — alongside…
The weaving of ponchos (makuñ) and blankets (matras) on the witral (or huitral) — a Mapuche vertical loom, a wooden frame bound with plant fiber — practiced by düwekafe (weavers) across Argentine Patagonia, principally Neuquén and Río…
A hand-loom weaving tradition of Santiago del Estero province, Argentina's oldest continuously inhabited region, in which women (teleras) card, spin, dye, and weave sheep's wool into ponchos, colchas (bedspreads), blankets, table runners,…
The graded treatment and working of raw horsehide into knives, rebenques (riding crops), tientos (fine plaiting cords), saddle components, and mounted-goods (mates, bottles, bags) in rural Entre Ríos province, part of Argentina's Litoral…
Two closely related but technically distinct gaucho crafts developed on Argentina's Pampas: talabartería, the cutting, embossing (repujado), and hand-stitching (using the distinctive costura pampa/'Pampa stitch') of tanned leather into…
The needle-and-thread meshwork and embroidery of randa, a fine needle-lace textile made by randeras — women artisans of El Cercado, a rural commune in Monteros department, Tucumán province.
The stitching and painting of quillangos (also called kai or, before painting, hapercó) — cloaks made from three to four guanaco skins, preferably from chulengos (young guanacos) — by Tehuelche women of Patagonia, collectively assembling…
The weaving of ponchos on a vertical loom using guarda atada ('tied border'), a warp-resist ikat technique in which sections of the warp thread are bound with strips of cloth and coated with starch before dyeing, producing precise…
The hand-spinning, natural-dyeing, and weaving of sheep's wool on the telar de estaca — a criollo loom whose main support poles are implanted directly into the ground rather than built as a portable frame — practiced by generations of…
A traditional ornamental painting technique combining vivid color with specific lettering styles and floral, symbolic, and figurative motifs, born in Buenos Aires's late-19th-century carriage-body workshops (carrocerías), where three…
The quarrying, cutting, and carving of onyx marble into decorative and functional objects — candle holders, ashtrays, bookends, animal figures, table lamps, and jewelry — centered in La Toma, San Luis province, where the craft is…